Chandelier de Gloucester

The Gloucester Candlestick is an elaborately decorated English Romanesque gilt-bronze candlestick, now in the Victoria and Albert Museum in London. It was made for Gloucester Cathedral between 1104 and 1113, and is one of the outstanding survivals of English Romanesque metalwork. The candlestick was first modelled in wax, then cast in the "lost wax" technique in three sections. The metal is bronze in an unusual mixture of copper, zinc, tin, lead, nickel, iron, antimony, and arsenic with an unusually large amount of silver - between 22.5% in the base and 5.76% in the pan below the candle. The proportions of this mixture may suggest that the candlestick was made from a hoard of old coins. The candlestick was gilded by fire-gilding, with elements in niellod silver added, engraving, and tiny dark glass eyes inset on some of the figures. The candlestick is densely decorated with an openwork composition of human figures, apes and fabulous beasts interspersed between thick intertwined shoots of foliage. Three long-eared dragons with outspread wings form the supporting feet; the symbols of the Four Evangelists are in medallions on the knop. This type of decoration was common to northern European art of this date but the style here is closely related to contemporary English illuminated manuscripts, indicating that, despite German influences, this piece was made in England, possibly in Canterbury, or by a craftsman who travelled to perform commissions. He may not have worked exclusively in metal, and may well have been a layman. It has similarities to a pair of Ottonian candlesticks at Hildesheim which were commissioned by Bishop Bernward of Hildesheim, bishop from 993 until his death in 1022. The decoration has been interpreted as a struggle between the forces of good and evil, and has speech and silence as a theme, with some of the figures placing hands over the mouths of others. An inscription round the outside of the drip pan reads "+ lvcis.