Ceremonial magic (ritual magic, high magic or learned magic) encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner. It can be seen as an extension of ritual magic, and in most cases synonymous with it. Popularized by the Hermetic Order of the Golden Dawn, it draws on such schools of philosophical and occult thought as Hermetic Qabalah, Enochian magic, Thelema, and the magic of various grimoires. Ceremonial magic is part of Hermeticism and Western esotericism.
The synonym magick is an archaic spelling of 'magic' used during the Renaissance, which was revived by Aleister Crowley to differentiate occult magic from stage magic. He defined it as "the Science and Art of causing Change to occur in conformity with Will", including ordinary acts of will as well as ritual magic. Crowley wrote that "it is theoretically possible to cause in any object any change of which that object is capable by nature". John Symonds and Kenneth Grant attach a deeper occult significance to this preference.
Crowley saw magic as the essential method for a person to reach true understanding of the self and to act according to one's true will, which he saw as the reconciliation "between freewill and destiny." Crowley describes this process in his Magick, Book 4.
The term magick is an Early Modern English spelling for magic, used in works such as the 1651 translation of Heinrich Cornelius Agrippa's De Occulta Philosophia, Three Books of Occult Philosophy, or Of Magick. Aleister Crowley chose the spelling to differentiate his practices and rituals from stage magic (which may be more appropriately termed "illusion") and the term has since been re-popularised by those who have adopted elements of his teachings. Crowley defined Magick as "the science and art of causing change to occur in conformity with will."
Qabalah and Tree of life (Kabbalah)
The Tree of Life is a tool used to categorize and organize various mystical concepts.
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Renaissance magic was a resurgence in Hermeticism and Neo-Platonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. These magical arts (called artes magicae) were divided into seven types. There was great uncertainty in distinguishing practices of superstition, occultism, and perfectly sound scholarly knowledge or pious ritual. The intellectual and spiritual tensions erupted in the Early Modern witch craze, further reinforced by the turmoil of the Protestant Reformation, especially in Germany, England, and Scotland.
vignette|Grimoire du pape Honorius (datant de 1760). Un grimoire est un livre de magie comprenant habituellement des instructions sur la façon de lancer des sorts, créer des enchantements, se livrer à la divination, fabriquer des objets magiques tels que les talismans et les amulettes ou encore invoquer des entités surnaturelles : anges, démons, esprits ou divinités. On a parfois attribué certaines propriétés magiques aux grimoires eux-mêmes, tout comme certains textes sacrés (tels la Bible), supposés posséder eux aussi des propriétés surnaturelles intrinsèques.
vignette|Symbole Thélémite (hexagram) right|vignette|La Stèle de la Révélation qui dépeint Nout, Hadit, Ra-Hoor-Khuit, Ankh-af-na-khonsu. Thelema (du grec ancien θέλημα : « volonté », dérivé du verbe θέλω : « vouloir, désirer ») est une doctrine ésotérique occidentale souvent considérée comme une religion ou une philosophie. Son nom est dérivé de l'abbaye de Thélème, lieu imaginaire inventé par François Rabelais dans Gargantua, dans laquelle une communauté vertueuse suit une maxime en apparence licencieuse : .