Concept

Not Evil Just Wrong

Résumé
Not Evil Just Wrong is a 2009 climate change denial documentary film by Ann McElhinney and Phelim McAleer that challenges Al Gore's An Inconvenient Truth by claiming that the evidence of global warming is inconclusive and that the impact global warming legislation will have on industry is much more harmful to humans than beneficial. The movie was filmed in 2008 and was screened at the International Documentary Film Festival Amsterdam and at the RightOnline conference in 2009. The film argues that the science behind climate change science is not settled. Not Evil Just Wrong focuses on the British High Court ruling which found nine errors in Al Gore's documentary, An Inconvenient Truth. The film also highlights assertions about the Medieval Warm Period and Stephen McIntyre's alleged debunking of the hockey stick graph. The film also focuses on the impact of climate legislation in developing counties and average families in America. The film states that one of environmentalists' first restrictions on industry was when DDT was banned, led by Rachel Carson. According to the film, the ban on DDT "...has needlessly resulted in the deaths of more than 40 million children and adults in the developing world." The film then continues to on a similar tack, arguing that climate legislation like cap and trade would negatively impact the life for middle and low-income families in America, particularly those working for energy-related jobs. The directors follow Tiffany McElhany and her family in rural Indiana, to see how fossil fuels have given them better opportunities. In 2008, McElhinney and McAleer raised almost 1million(799,000)fromrealestateinvestors,butsaidtheyneededatotalof1 million (€799,000) from real estate investors, but said they needed a total of 4.5 million for a cinema release. After the film was turned down for funding by the Irish Film Board, the filmmakers then began taking donations online. The film failed to find a commercial distributor. The documentary has been noted for being a very similar style to Michael Moore's documentaries by using file footage of old movies, cartoons and class-based arguments.
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