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Concept
RSC production of A Midsummer Night's Dream (1970)
Résumé
The 1970 Royal Shakespeare Company (RSC) production of A Midsummer Night's Dream was directed by Peter Brook, and is often known simply as Peter Brook's Dream. It opened in the Royal Shakespeare Theatre at Stratford-upon-Avon and then moved to the Aldwych Theatre in London's West End in 1971. It was taken on a world tour in 1972–1973. Brook's production of A Midsummer Night's Dream for the RSC is often described as one of the 20th century's most influential productions of Shakespeare, as it rejected many traditional ideas about the staging of classic drama.
Shakespeare's play is set in Athens and a fairy-inhabited forest nearby. Brook's aim was to reject the 19th-century traditions of realism and illusionism in the theatre, and focus instead on locating the play in "the heightened realm of metaphor". He also wanted to liberate the play from encrusted "bad tradition" so that the actors could feel that they were encountering the text for the first time.
As such, he avoided any realist scenery or props. Instead, the set, designed by Sally Jacobs, was a simple white box, with no ceiling and two doors. In Stratford, black drapes were hung above the box to hide the stage machinery; on tour, Brook decided to remove them, leaving stagehands and lighting technicians visible. The purpose of this was to return the stage to the simplicity of the Elizabethan theatre, in which there was little scenery and the sense of location was generated by the poet's words. However, this approach was blended with modern elements: the trees of the forest were represented by giant slinky toys, and Titania's bower was a huge red feather.
The fairy magic was represented by circus tricks. For example, the fairies entered on trapeze bars, and the love potion that Puck fetches was a spinning plate on a rod, which Puck handed to Theseus from a trapeze fifteen feet above the stage. When Bottom turned into an ass, he acquired not the traditional ass's head, but a clown's red nose.
The costumes were non-Athenian and non-English Renaissance.
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