Architecture en Inde

Résumé

thumb|Arches de l'Hindola Mahal de Mândû. L'architecture indienne est une architecture très riche puisant ses sources dans la préhistoire et évoluant avec le temps et dans l'espace (architectures locales). Architecture moghole Architecture des temples hindouistes Périodes de l'architecture en Inde

Les origines ** Préhistoire ** Architecture de la civilisation de l'Indus ** Architecture de la période védique
Les périodes anciennes ** Architecture de la période Maurya ** Architecture de la période Sunga ** Architecture de la période Kusana ** Architecture de la période Satavahana
Les périodes classiques ** Architecture de la période Goupta ** Architecture de la période post-Goupta
l'époque médiévale ** Architecture du Bihar ** Architecture de l'Orissa ** Inde du Nord ** Architecture du Gujarat ** le Sud
Architecture moghole ** le Sud ** Architecture du Rajasthan ** Architecture du Panjab
Architecture moderne de l'Inde
Vastu Shastra

Voir aussi

Source officielle

https://fr.wikipedia.org/wiki/Architecture_en_Inde

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Concepts associés (11)

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Cours associés (2)

«Tackle the type» traite de manière critique les processus de développement et de refonte des typologies architecturales dans un contexte contemporain. A partir de l'analyse d'une typologie architecturale précise, des projets indépendants doivent être développés dans un lieu spécifique.

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Care. Emerging Natures

Pieter Versteegh

The work addresses research by design as a subject and a method. It explores theorizations, experimentations, and verifications, all of them engaged in writing, drawing and building. It is discovery-led, and starts from a blurry "state of the arts". It oscillates between architectural processes, products and performance without considering any of them isolated as research. Its relevance emerges. It is the design process that constructs, delimits the research corpus and produces architectural insight and knowledge. The first part addresses architectural meaning. It engages interdisciplinary connections: structuralism in linguistics and philosophy, color theory, and a displacement into deconstruction. It concludes that, although an architectural design process can deliberately try to produce and uphold determinate architectural meaning, such (objective) meaning is immediately deviated, notably by the appearance of architectural usages, scale, and possibilities of appropriation. The second part investigates deviation as a substantial part of architectural creation. If noise is irreducible, it must also structure architectural creation. It connects to domains resisting to reductionist thought: complexity sciences, literary critics, archaeological processes, and theorizations dealing with the secondary such as psychoanalysis and gender studies. The work is marked by a dilemma related to empowerment: the originality and authenticity of design and its delivery at a certain moment always seem to prohibit inhabitation, appropriation. The secondary, subject to dominant, single authorship, becomes primary. Architecture seems resistant to modernity in the Kantian sense. The work re-centers on psychiatry, gender studies and (health) care: the understanding of natures rather than appearance, structure or essence. In the third part, it moves from the production of difference to inscriptions of memories and future possibilities; from design as making to design as the initiation and care of a shared transformation process, accompaniment of differance. The understanding of architectural reality shifts from the finality of object to a process beyond control, co-construction between different authors/users occurring in minor events, in a very local and specific context. The work proposes a design process driven by care, encounter of authors and users in quality, accompanying different and specific emerging natures of (territorial) identity.

EPFL2012

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Swiss Cancer Center (Gland, VD)

Patrick DeCaro

Cancer: growth caused by uncontrolled and abnormal cell division, resulting in a non-structured mass or tumor, serving no beneficial purpose to the body. Even though cancer is one of the leading fatal diseases of today's world, with no distinction for age, sex, or organ, it can be fought and cured. Prevention, early diagnosis, correct treatment and optimal rehabilitation are key factors that will allow to surpass such a difficult moment. The aim of a Swiss Cancer Center is to unite these different elements. Away from the noise and stress of the city, but still at mid point between two major scientific poles, Gland offers an ideal site. By completely integrating the building into the nature of the south facing lakeside site with the view of the mountains, the Swiss Cancer Center tries to become one with its surroundings. Its architecture plays a major role in the well being of patients and doctors. It attempts to humanize the medical world. The creation of parks, green areas, lounges, and the use of natural light and fresh air are only some of the steps undertaken that limit the stress factors plaguing hospitals. The calm and beauty of the site can thus flow through the building, infusing it with its inherent serenity. The goal is to take the human as a starting point and to rethink the medical institution from there. It is by striking a balance between functionality, efficiency, ecology, health, and humanity that this goal can be achieved.

2008

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Architectural competitions have a long tradition in Switzerland that is usually cited as one of the European countries with the largest numbers of competition procedures per year, along with Germany and some Northern countries – Finland, Denmark and Sweden. During the last fifteen years this tradition, concerning till recently, primarily projects of public character – such as schools, museums and other institutional buildings – is reactivated in the housing sector of the construction market. A significant number of housing competitions are organized systematically not only by State-driven services but also by private developers; the innovative aspect of desired solutions is set forward as crucial requirement, and an extended discussion on the quality of living in the new housing units, is promoted. Collaboration between public administration services and cooperative housing societies, has produced during the last decade impressive results, especially in the German-speaking part of the country. Despite the fact that bibliographical sources of previous decades report (mostly fragmentarily) Switzerland's competition culture, so far few scientific studies focus exclusively on the subject. Especially the situation in the housing market and the competition framework deserves to be analysed in detail, since it may provide important information not only with respect to the competition system in general, but also concerning most common housing types and contemporary domestic ideals. The dissertation examines competitive procedures held recently in the country, and attempts to cast additional light on different visions and applications of the system in various regions of Switzerland. In the first part of this study, emphasis is given, apart from the institutional aspect of competition procedures, to the prerequisite of innovative ideas and the way architectural innovation is generally perceived by implicated in this framework, actors. In the second part, significant tendencies of contemporary Swiss architecture in the domain of collective housing – as manifested in the framework of housing competitions – are identified through the morphological and typological analysis of a series of case studies, based on an already established classification; architectural devices bearing traces of groundbreaking investigation lines and particularly resourceful solutions, answering changing social and urban statuses, are highlighted. In the last part of the dissertation, the question of contemporary architectural representations concerning domestic spaces is discussed. It is argued that well-known domestic "myths" from the past – either originating from collective housing types or single-family house typologies – persist in contemporary architectural proposals; current versions of these ideals are presented and a contemporary domestic iconography is traced. The system of housing competitions is finally examined in relation with its materialised outcome: competitions are analysed as "discursive fields" that generate an active (though indirect) dialogue between architects, assessors and promoters; the influence of this interactive model, during and after a competition's completion, to the evolution of designs submitted in its framework, is commented and evaluated.

EPFL2011

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Care. Emerging Natures

Pieter Versteegh

EPFL2012

EPFL2011