Concept
Sémiotique
Concepts associés (65)
Être et Temps
Être et Temps (en Sein und Zeit) est une œuvre du philosophe allemand Martin Heidegger publiée en 1927 dans les Annales de philosophie et de recherche phénoménologique éditées par Edmund Husserl. Bien qu'écrit rapidement, et jamais terminé, ce livre, eu égard aux ambitions de son introduction, est un des livres marquants de la pensée du ( selon Emmanuel Martineau et Emmanuel Levinas). Il est aussi l'ouvrage le plus connu de ce philosophe dont l'œuvre comportera environ 110 ouvrages dans l'édition complète de l'œuvre de Martin Heidegger.
Semiotic theory of Charles Sanders Peirce
Charles Sanders Peirce began writing on semiotics, which he also called semeiotics, meaning the philosophical study of signs, in the 1860s, around the time that he devised his system of three categories. During the 20th century, the term "semiotics" was adopted to cover all tendencies of sign researches, including Ferdinand de Saussure's semiology, which began in linguistics as a completely separate tradition.
Semiotic anthropology
The phrase "semiotic anthropology" was first used by Milton Singer (1978). Singer's work brought together the semiotics of Charles Sanders Peirce and Roman Jakobson with theoretical streams that had long been flowing in and around the University of Chicago, where Singer taught. In the late 1970s, Michael Silverstein, a young student of Jakobson's at Harvard University, joined Singer in Chicago's Department of Anthropology.
Interpretant
Interpretant is a subject (philosophy) / sign (semiotics) that refers to the same object (philosophy) as another sign (semiotics), transitively. Semiotic theory of Charles Sanders Peirce The concept of "interpretant" is part of Charles Sanders Peirce's "triadic" theory of the sign. For Peirce, the interpretant is an element that allows taking a representamen for the sign of an object, and is also the "effect" of the process of semeiosis or signification. Peirce delineates three types of interpretants: the immediate, the dynamical, and the final or normal.
Phytosemiotics
Phytosemiotics is a branch of biosemiotics that studies the sign processes in plants, or more broadly, the vegetative semiosis. Vegetative semiosis is a type of sign processes that occurs at cellular and tissue level, including cellular recognition, plant perception, plant signal transduction, intercellular communication, immunological processes, etc. The term 'phytosemiotics' was introduced by Martin Krampen in 1981.
Semiotics of social networking
The semiotics of social networking discusses the images, symbols and signs used in systems that allow users to communicate and share experiences with each other. Examples of social networking systems include Facebook, Twitter and Instagram. Semiotics is a discipline that studies images, symbols, signs and other similarly related objects in an effort to understand their use and meaning. Semiotic structuralism seeks the meaning of these objects within a social context.
Sémiotique de la photographie
Semiotics is the study of meaning-making on the basis of signs. Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images. Most of Barthes' studies related to advertising, but his concepts can apply to photography as well.
Relations (philosophy)
Relations are ways in which things, the relata, stand to each other. Relations are in many ways similar to properties in that both characterize the things they apply to. Properties are sometimes treated as a special case of relations involving only one relatum. In philosophy (especially metaphysics), theories of relations are typically introduced to account for repetitions of how several things stand to each other. The concept of relation has a long and complicated history.
Multimodalité (sémiotique)
La multimodalité, au sens sémiotique, désigne la mise en œuvre dans la production du sens de divers modes d'expression combinés — tels la parole, la gestuelle, les images fixes ou animées et un accompagnement sonore — en relation avec leurs modalités médiatiques de transmission, qui peuvent être synchrones ou asynchrones. Le concept de multimodalité est utilisé en sémiotique et en didactique, où il aide à analyser et concevoir des pratiques d'enseignement adaptées à un environnement numérique en constante mutation.
Film semiotics
Film semiotics is the study of sign process (semiosis), or any form of activity, conduct, or any process that involves signs, including the production of meaning, as these signs pertain to moving pictures. Film semiotics is used for the interpretation of many art forms, often including abstract art. Ricciotto Canudo – Italian writer working in the 1920s, identified “language-like character of cinema”. Louis Delluc – French writer, working in the 1920s, wrote of the ability of film to transcend national language.