Achik

An ashik (aşıq, عاشؽق; âşık; عاشیق—all from عاشِق) or ashugh (աշուղ; აშუღი) is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as hikaye) or a shorter original composition—with a long-necked lute (usually a bağlama or saz) in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis) and non-Turkic cultures of South Caucasus (primarily Armenian and Georgian). In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs. The word ashiq (عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ishq (عشق, "love"), which in turn may be related to the Avestan iš- ("to wish, desire, seek"). The term is synonymous with ozan in Turkish and Azerbaijani, which it superseded during the fifteenth to sixteenth centuries. Other alternatives include saz şair (meaning "saz poet") and halk şair ("folk poet"). In Armenian, the term gusan, which referred to creative and performing artists in public theaters of Parthia and ancient and medieval Armenia, is often used as a synonym. The ashik tradition in Turkic cultures of Anatolia, Azerbaijan and Iran has its origin in the Shamanistic beliefs of ancient Turkic peoples. The ancient ashiks were called by various names such as bakshy/bakhshi/Baxşı, dede (dədə), and uzan or ozan. Among their various roles, they played a major part in perpetuation of oral tradition, promotion of communal value system and traditional culture of their people. These wandering bards or troubadours are part of current rural and folk culture of Azerbaijan, and Iranian Azerbaijan, Turkey, the Turkmen Sahra (Iran) and Turkmenistan, where they are called bakshy. Thus, ashik, in traditional sense, may be defined as travelling bards who sang and played saz, an eight or ten string plucking instrument in the form of a long-necked lute.