Concept

Carl Corley

Résumé
Carl Vernon Corley (December 8, 1921 – November 3, 2016) was an American author and illustrator. Beginning in the 1950s, he drew physique art for male beefcake magazines and for sale as posters. In the 1960s and 1970s, he wrote twenty-two novels of gay male pulp fiction. From the 1970s into the early 1990s, Corley continued to write stories for gay pornography magazines. Corley also has written and illustrated non-erotic projects, including Louisiana history and religious books. Gay historian John Howard, who rediscovered Corley's gay pulp novels in the 1990s, argues that Corley's work "complicates queer cultural studies by unsettling its urbanist roots." Corley's texts are not typical stories of gay young men from rural areas finding their ways to sexual liberation in cities, but instead describe "many complex nodes of circulation, not just aggregation". Carl Vernon Corley was born in Florence, Mississippi, in December 1921, growing up there to graduate from Florence High School. During World War II, Corley served in the South Pacific in the United States Marine Corps. From 1947 to 1961, he lived in Jackson, Mississippi, and worked for the Mississippi State Highway Department as an illustrator and staff artist. From 1961 to 1981, he worked in a similar position for the Louisiana Highway Department. In both jobs, he designed and illustrated tourist guides, manuals, pamphlets, road maps, and traffic surveys. He provided the cover art for at least one book on Louisiana history. In the 1970s and early 1980s, he drew a comic strip dealing with Cajun folklore for the Eunice (LA) News. He also wrote and illustrated a Louisiana state history for a small press. Corley died in November 2016 at the age of 94. Carl Corley in the 1950s contributed homoerotic art to physique magazines, signing the work for publication with his own name. John Howard identified ten Carl Corley posters sold by Sir Prise Publishers of Chicago. He describes them as using master-slave imagery, but inverting the roles, where the darker-skinned figure dominates the lighter-skinned one.
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