AR-402(am): Studio MA2 (Everaert and Lateur)'Preparing for the apocalypse' takes you to Puglia, where people are confronted with millions of century-old olive trees dying.
In dialogue with local communities, we will explore whether architecture
AR-402(an): Studio MA2 (Truwant et Rodet)Together, we will continue our exploration of the theme of water by building a set of fountains that we will later attempt to integrate into a domestic project for the port of Basel. The focus will be
AR-402(ao): Studio MA2 (Nagel and Theissen)In the design studio, we take a critical look at aesthetically neglected and mono-functional industrial zones. For these places, we develop new types of mixed-use hybrid buildings that enrich and tran
AR-402(au): Studio MA2 (Lippok et Walter)Waldrap Atelier will critically investigate the relationships between cities and landscapes. We will analyse this context, discuss strategies, and unveil visions as supporting structures.
AR-402(e): Studio MA2 (Weinand)Etudier la réhabilitation de bâtiments remarquables en portant une attention particulière à la matérialité et aux détails constructifs. Investiguer le potentiel des outils digitaux pour mieux connecte
AR-402(m): Studio MA2 (Gay and Menzel)The studio is focused on contextual imaginary. Developing narratives, inspired both from the site and from the student's imagination leads to a theme sustaining the project. The narrative helps the st
AR-402(o): Studio MA2 (elii)Fiction is one of the laboratories that architecture uses for its tests. This should not come as a surprise, since architecture has always been a "science of fiction". The studio holds by elii [archit
AR-402(r): Studio MA2 (Assemble)This year we will be focusing on timber; its physical material qualities, the infrastructure of skill, labour and technology around its contemporary and historical uses. We will take a critical look a
AR-404: UE A : Art and architectureTo train painting we must, first and foremost, train our gaze and our eyes to select, focus, caress, become inflamed. Learning to draw or paint means learning to see, to discover the physical porosity
