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Hearing structure in music: An empirical inquiry into listening as representation and processing

Publications associées (43)

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Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Uniform parsing for hyperedge replacement grammars

Petter Harald Ericson

It is well known that hyperedge-replacement grammars can generate NP-complete graph languages even under seemingly harsh restrictions. This means that the parsing problem is difficult even in the non-uniform setting, in which the grammar is considered to b ...

ACADEMIC PRESS INC ELSEVIER SCIENCE2021

Predictive brain: Addressing the level of representation by reviewing perceptual hysteresis

David Pascucci

In recent years, the idea that the prediction of sensory input is one of the major computational goals of the nervous system led to the development of several large-scale theories of brain functioning, such as different versions of the Bayesian approach to ...

ELSEVIER MASSON, CORP OFF2021

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

Martin Alois Rohrmeier, Fabian Claude Moss, Daniel Harasim

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of ...

SPRINGERNATURE2021

Modeling and Inferring Proto-Voice Structure in Free Polyphony

Martin Alois Rohrmeier, Christoph Finkensiep

Voice leading is considered to play an important role in the structure of Western tonal music. However, the explicit voice assignment of a piece (if present at all) generally does not reflect all phenomena related to voice leading. Instead, voice-leading p ...

ISMIR2021

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Daniel Harasim

Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style. The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...

EPFL2020

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In this paper, we present an efficient, functional, and formally verified parsing algorithm for LL(1) context-free expressions based on the concept of derivatives of formal languages. Parsing with derivatives is an elegant parsing technique, which, in the ...

ASSOC COMPUTING MACHINERY2020

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Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

2020

We propose the Recursive Non-autoregressive Graph-to-graph Transformer architecture (RNG-Tr) for the iterative refinement of arbitrary graphs through the recursive application of a non-autoregressive Graph-to-Graph Transformer and apply it to syntactic dep ...

2020

The Impact of Voice Leading and Harmony on Musical Expectancy

Martin Alois Rohrmeier, Robert Lieck, Markus Franz Josef Neuwirth

In Western tonal music, voice leading (VL) and harmony are two central concepts influencing whether a musical sequence is perceived as well-formed. However, experimental studies have primarily focused on the effect of harmony on the cognitive processing of ...

2020