The Tonal Diffusion Model

Publications associées (31)

Page 2 sur 4

À propos
Confidentialité
Mentions légales

Graph Chatbot

The Claude Debussy Solo Piano Corpus

Martin Alois Rohrmeier, Johannes Hentschel, Gabriele Cecchetti, Sabrina Laneve, Ludovica Schaerf

This dataset originates from the DCML corpus initiative and contains musicological research data. For more information, please refer to its documentation page https://dcmlab.github.io/debussy_piano Please cite this dataset as Laneve, S., Schaerf ...

Zenodo2023

An Annotated Corpus of Tonal Piano Music from the Long 19th Century

Martin Alois Rohrmeier, Fabian Claude Moss, Johannes Hentschel, Markus Franz Josef Neuwirth

We present a dataset of 264 annotated piano pieces of nine composers, composed in the long 19th century (https://doi.org/10.5281/zenodo.7483349). Annotations adhere to the DCML harmony annotation standard and include Roman numerals, phrase boundaries, and ...

Ohio State Univ, Sch Music2023

Governance framework for autonomous and cognitive digital twins in agile supply chains

Dimitrios Kyritsis

Cognitive Digital twins (CDT) are Digital Twins with cognition capabilities and ensure a proper monitoring and optimization of a specific asset's behaviour. In the context of supply chains, there are different entities involved from assets, processes, up t ...

ELSEVIER2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Daniel Harasim, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

midiVERTO: A Web Application to Visualize Tonality in Real Time

Daniel Harasim, Fabian Claude Moss

This paper presents a web application for visualizing the tonality of a piece of music-the organization of its chords and scales-at a high level of abstraction and with coordinated playback. The application applies the discrete Fourier transform to the pit ...

SPRINGER INTERNATIONAL PUBLISHING AG2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Daniel Harasim, Fabian Claude Moss

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

Breathing affects self-other voice discrimination in a bodily state associated with somatic passivity

Olaf Blanke, Nathan Quentin Faivre, Giulio Rognini, Hyeongdong Park, Pavo Orepic

A growing number of studies have focused on identifying cognitive processes that are modulated by interoceptive signals, particularly in relation to the respiratory or cardiac cycle. Considering the fundamental role of interoception in bodily self-consciou ...

WILEY2022

Musical Garden Paths: Evidence for Syntactic Revision Beyond the Linguistic Domain

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

While theoretical and empirical insights suggest that the capacity to represent and process complex syntax is crucial in language as well as other domains, it is still unclear whether specific parsing mechanisms are also shared across domains. Focusing on ...

Wiley2022

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

The experience of musical structure as computation : what can we learn?

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

This paper presents an overview of the epistemological grounding of the computational approach to musical syntax as a tool to advance our understanding of the cognitive underpinnings of the musical experience. From the proposed perspective, formulations of ...

2021

Page 2 sur 4