Italian anarchism as a movement began primarily from the influence of Mikhail Bakunin, Giuseppe Fanelli, and Errico Malatesta. Rooted in collectivist anarchism and social anarchism, it expanded to include illegalist individualist anarchism, mutualism, anarcho-syndicalism, and especially anarcho-communism. In fact, anarcho-communism first fully formed into its modern strain within the Italian section of the First International. Italian anarchism and anarchists participated in the biennio rosso and survived Italian Fascism. Platformism and insurrectionary anarchism were particularly common in Italian anarchism and continue to influence the movement today. The synthesist Italian Anarchist Federation appeared after the war, and autonomismo and operaismo especially influenced Italian anarchism in the second half of the 20th century.
When the Italian section of the International Workingman's Association was formed in 1869, new and more famous (or infamous) anarchists began appearing on the scene, notable individuals include Carlo Cafiero and Errico Malatesta. Within the Italian section of the IWMA the ideas of anarchist communism as a clear, cohesive movement were formed. At an 1876 conference in Florence, the Italian section of the International Workingman's Association declared the principles of Anarchist-Communism, proclaiming:
The Italian Federation considers the collective property of the products of labour as the necessary complement to the collectivist programme, the aid of all for the satisfaction of the needs of each being the only rule of production and consumption which corresponds to the principle of solidarity. The federal congress at Florence has eloquently demonstrated the opinion of the Italian International on this point...
It was also in Italy that early Anarchist attempts at revolution began. Bakunin was involved in an insurrection taking place in Florence in 1869 and in the failed 1874 Bologna insurrection. In 1877, Errico Malatesta, Carlo Cafiero, and Costa began an attempt at revolution in Italy with the Banda del Matese.
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Insurrectionary anarchism is a revolutionary theory and tendency within the anarchist movement that emphasizes insurrection as a revolutionary practice. It is critical of formal organizations such as labor unions and federations that are based on a political program and periodic congresses. Instead, insurrectionary anarchists advocate informal organization and small affinity group based organization. Insurrectionary anarchists put value in attack, permanent class conflict and a refusal to negotiate or compromise with class enemies.
Anti-fascism is a political movement in opposition to fascist ideologies, groups and individuals. Beginning in European countries in the 1920s, it was at its most significant shortly before and during World War II, where the Axis powers were opposed by many countries forming the Allies of World War II and dozens of resistance movements worldwide. Anti-fascism has been an element of movements across the political spectrum and holding many different political positions such as anarchism, communism, pacifism, republicanism, social democracy, socialism and syndicalism as well as centrist, conservative, liberal and nationalist viewpoints.
Propaganda of the deed (or propaganda by the deed, from the French propagande par le fait) is specific political direct action meant to be exemplary to others and serve as a catalyst for revolution. It is primarily associated with acts of violence perpetrated by proponents of insurrectionary anarchism in the late 19th and early 20th century, including bombings and assassinations aimed at the State, the alleged ruling class, and religious groups, even though propaganda of the deed also had non-violent applications.
In the collective imagination, the villa is a manifesto of ‘the good life’, often representing for architects a laboratory for stylistic experimentation, as an exception in their portfolio. The fate of the villa in contemporary architecture and research cu ...