Multistable perception (or bistable perception) is a perceptual phenomenon in which an observer experiences an unpredictable sequence of spontaneous subjective changes. While usually associated with visual perception (a form of optical illusion), multistable perception can also be experienced with auditory and olfactory percepts.
Perceptual multistability can be evoked by visual patterns that are too ambiguous for the human visual system to definitively and uniquely interpret. Familiar examples include the Necker cube, Schroeder staircase, structure from motion, monocular rivalry, and binocular rivalry, but many more visually are known. Because most of these images lead to an alternation between two mutually exclusive perceptual states, they are sometimes also referred to as bistable perception.
Auditory and olfactory examples can occur when there are conflicting, and so rival, inputs into the two ears or two nostrils.
The transition from one precept (an undefined term) to its alternative (the defined term) is called a perceptual reversal (Paradigm shift). They are spontaneous and stochastic events that cannot be eliminated by intentional efforts, although some control over the alternation process is learnable. Reversal rates vary drastically between stimuli and observers. They are slower for people with bipolar disorder.
Human interest in these phenomena can be traced back to antiquity. The fascination with multistable perception probably comes from the active nature of endogenous perceptual changes or from the dissociation of dynamic perception from constant sensory stimulation.
Multistable perception was a common feature in the artwork of the Dutch lithographer M. C. Escher, who was strongly influenced by mathematical physicists such as Roger Penrose.
Photographs of craters, from either the moon or other planets including our own, can exhibit this phenomenon. Craters in stereo vision, such as our eyes, normally appear concave.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Le cours ouvre les perspectives de l'expérience sensible du corps et de la déambulation en écho à certaines problématiques actuelles que posent l'architecture contemporaine. Partant de la performance,
The course will discuss classic material as well as recent advances in computer vision and machine learning relevant to processing visual data -- with a primary focus on embodied intelligence and visi
Le séminaire propose d'étudier l'importance du flou dans l'histoire des représentations - photographie, peinture et cinéma - de manière à en saisir les fonctions et les enjeux.
Visual perception is the ability to interpret the surrounding environment through photopic vision (daytime vision), color vision, scotopic vision (night vision), and mesopic vision (twilight vision), using light in the visible spectrum reflected by objects in the environment. This is different from visual acuity, which refers to how clearly a person sees (for example "20/20 vision"). A person can have problems with visual perceptual processing even if they have 20/20 vision.
In visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions.
Delves into transitioning between discussion and performance, emphasizing fluidity and gradual shifts in theatrical settings.
Explores theories of narrative, models of intelligibility, and the impact of storytelling on societal values and individual behaviors.
Explores visual intelligence, evolution of vision and action, and the ecological approach to visual perception.
Motion forecasting is crucial in enabling autonomous vehicles to anticipate the future trajectories of surrounding agents. To do so, it requires solving mapping, detection, tracking, and then forecasting problems, in a multi-step pipeline. In this complex ...
Ambiguous sensory information can lead to spontaneous alternations between perceptual states, recently shown to extend to tactile perception. The authors recently proposed a simplified form of tactile rivalry which evokes two competing percepts for a fixed ...
Knowing where objects are relative to us implies knowing where we are relative to the external world. Here, we investigated whether space perception can be influenced by an experimentally induced change in perceived self-location. To dissociate real and ap ...