Dramatic theory (δράμα dráma „plot“, θεωρία theōría „sight, spectacle“) attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. Dramatic theory is studied as part of theatre studies.
Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry and epics, which evoke imagination in the reader.
Dramatic theory was already discussed in the Antiquities p.e. by Aristotle (Poetics) in Ancient Greek and Bharata Muni (Natyasastra) in Ancient India. Some tried to systematize existent plays based on common traits or to justify them compared to other types of plays. Others created schemes for future plays for them to accomplish political or ethical aims or simply as a guide to create good plays.
Modern dramatic theory is based on the idea that drama is a plurimedial form of art. Therefore, a drama cannot be completely comprehended from the text alone. Understanding requires the combination of the text as a substrate and the specific performance of the play. Older theories saw the performance as limited to the interpretation of the text.
In the Antiquities and again from the Renaissance to 1900 drama was the most prestigious form of literature. It was then replaced by epics based on the commercial success of novels. There was constant discussion about the reasons of this prestige and about the differences for drama and other forms of literature. Dramatic theory tried to connect the literary quality of a play with its social standing, especially when it comes to the traditional difference between tragedies and comedies. In the 18th century, the commercial success started to be the reason for a positive or negative assessment of a specific drama. In this context, popular theater, which was privately organized for commercial purposes, started to diverge from the state theaters.
Rivalry between opera and acting also played a role in dramatic theory from the 17th to the 19th century.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or "act" (Classical Greek: δρᾶμα, drâma), which is derived from "I do" (Classical Greek: δράω, dráō).
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms.
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some dramatists combine writing and dramaturgy when creating a drama.