An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters.
Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural form.
The word "arcade" comes from French arcade from Provençal arcada or Italian arcata, based on Latin arcus, ‘bow’ (see arc and arch).
A related but ambiguous term is , which is either a small arcade or a blind arcade.
Arcades go back to at least the Ancient Greek architecture of the Hellenistic period, and were much used by the Romans, for example at the base of the Colosseum. Church cloisters very often use arcading. Islamic architecture very often uses arcades in and outside mosques in particular. In Renaissance architecture elegant arcading was often used as a prominent feature of facades, for example in the Ospedale degli Innocenti (commissioned 1419) or the courtyard of the Palazzo Bardi, both by Filippo Brunelleschi in Florence.
File:Colosseum 0732 2013.jpg|Arcades of the Colosseum (AD 70s) from the outside
File:L-Kolloseum.png|...and in cross-section
File:Great Mosque of Kairouan gallery.jpg|Arcades inside the [[Mosque of Uqba]], also known as the Great Mosque of [[Kairouan]], in [[Tunisia]] (670).
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Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words court and yard derive from the same root, meaning an enclosed space.
The High Middle Ages, or high medieval period, was the period of European history that lasted from AD 1000 to 1350. The High Middle Ages were preceded by the Early Middle Ages and were followed by the Late Middle Ages, which ended around AD 1500 (by historiographical convention). Key historical trends of the High Middle Ages include the rapidly increasing population of Europe, which brought about great social and political change from the preceding era, and the Renaissance of the 12th century, including the first developments of rural exodus and urbanization.
L’architecture est l’un des piliers majeurs des sociétés passées, présentes et futures. L’énoncé théorique, intitulé Les fruits d’une architecture symbiotique, frugale et résiliente s’interroge sur la capacité de l’architecture à estomper les différentes p ...
Que peuvent avoir en commun des chewing-gums et des disques collés au plafond, un homme qui court, un autre qui médite, des murs écrits, une porte percée, un flot de couleurs, une feuille et un loup de béton, des galets gravés, une cascade de fonte… ? Tous ...
Favre2014
Face à la production artistique contemporaine, l’architecte concepteur de musée peine à trouver sa place. La distorsion entre art et architecture est plus flagrante encore dans un genre particulier d’infrastructure muséale: le musée monographique. Ce type ...