"Ideology and Ideological State Apparatuses (Notes Towards an Investigation)" (French: "Idéologie et appareils idéologiques d'État (Notes pour une recherche)") is an essay by the French Marxist philosopher Louis Althusser. First published in 1970, it advances Althusser's theory of ideology. Where Karl Marx and Friedrich Engels posited a thinly-sketched theory of ideology as a system of falsehoods serving the ruling class, Althusser draws upon the works of later theorists such as Antonio Gramsci, Sigmund Freud and Jacques Lacan to proffer a more elaborate redefinition of the theory. Althusser's theory of ideology has remained influential since it was written.
Althusser begins the essay by reiterating the Marxist theory that in order to exist, a social formation is required to essentially, continuously and perpetually reproduce the productive forces (labour power and means of production), the conditions of production and the relations of production. The reproduction of labour power is ensured by the wage system which pays a minimum amount to the workers so that they appear to work day after day, thereby limiting their vertical mobility. The reproduction of the conditions of production and the reproduction of the relations of production happens through the state apparatuses which are insidious machinations controlled by the capitalist ruling ideology in the context of a class struggle to repress, exploit, extort and subjugate the ruled class.
The Marxist spatial metaphor of the edifice describes a social formation constituted by the foundational infrastructure, i.e. the economic base, on which stands the superstructure consisting of two floors: the law/the state (the politico-legal floor) and ideology. A detailed description of both structures is provided below:
The infrastructure consists of the forces, the means, and the relations of production. The following examples reflect the concept of the infrastructure in further detail:
The forces included the workers. Also, it consists of the technical knowledge to perform the work, such as training and knowledge.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Explores the historical roots and ideological implications of the avant-garde in architecture, focusing on 'The Sphere and the Labyrinth' by Manfredo Tafuri.
In Marxist theory, false consciousness is a term describing the ways in which material, ideological, and institutional processes are said to mislead members of the proletariat and other class actors within capitalist societies, concealing the exploitation and inequality intrinsic to the social relations between classes. According to Marxists, false consciousness legitimizes the existence of different social classes. False consciousness is consciousness which is incorrect and misaligned from reality.
In Marxist theory, society consists of two parts: the base (or substructure) and superstructure. The base refers to the mode of production which includes the forces and relations of production (e.g. employer–employee work conditions, the technical division of labour, and property relations) into which people enter to produce the necessities and amenities of life. The superstructure refers to society's other relationships and ideas not directly relating to production including its culture, institutions, roles, rituals, religion, media, and state.
An ideology is a set of beliefs or philosophies attributed to a person or group of persons, especially those held for reasons that are not purely epistemic, in which "practical elements are as prominent as theoretical ones." Formerly applied primarily to economic, political, or religious theories and policies, in a tradition going back to Karl Marx and Friedrich Engels, more recent use treats the term as mainly condemnatory.