Political hip hop is a subgenre of hip hop music that was developed in the 1980s as a way of turning hip hop into a form of political activism. Political hip-hop generally uses the medium of hip hop music to comment on sociopolitical issues and send political messages to inspire action, create social change, or to convince the listener of a particular worldview. It was inspired partially by politically-focused 1970s artists such as The Last Poets and Gil Scott-Heron, as well as the Black Power movement and revolutionary politics of the 1960s and 1970s. Various hip hop artists emerged in the 1980s espousing political messages and providing social and political commentary, with the American group Public Enemy in particular establishing themselves as one of the first predominantly political hip-hop groups. The genre has helped to create a new form of social expression for subordinate groups to speak about their exclusions, injustices and lack of power.
There is no all-encompassing political hip-hop ideology; rather, there are multiple perspectives that range anywhere from anarchism to Marxism to the values of the Five-Percent Nation. Hip hop and politics have long been intertwined, with many hip hop artists using their music as a means to speak out about political and social issues and express their views on current events. Over the years, there have been a number of hip hop songs that have addressed political issues such as police brutality, racism, and poverty, among others. Some well-known examples of political hip hop songs include "Fuck tha Police" by N.W.A., "Changes" by Tupac Shakur, and "Fight the Power" by Public Enemy.
Many hip hop artists have also been involved in political activism outside of their music. For example, Chuck D of Public Enemy has been involved in a number of political campaigns and organizations, and has used his music and public platform to speak out about issues such as police brutality and racism.
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Dead Prez, often stylized as dead prez, is an American hip hop duo composed of stic.man and M-1, formed in 1996 in New York City. They are known for their confrontational style, combined with lyrics focused on both militant social justice, self-determination, and Pan-Africanism. The duo maintains an ethical stance against corporate control over the media, especially hip hop record labels. In 1990, M-1 headed to Tallahassee, Florida, to attend Florida Agricultural and Mechanical University where he and stic.
Hip hop or hip-hop, also known as rap and formerly known as disco rap, is a genre of popular music that was originated in the Bronx borough of New York City in the early 1970s by African Americans, having existed for several years prior to mainstream discovery. Hip hop originated as an anti-drug and anti-violence genre, while consisting of stylized rhythmic music (usually built around drum beats) that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted.
The Soulquarians were a rotating collective of experimental Black music artists active during the late 1990s and early 2000s. Members of the collective included singer and multi-instrumentalist D'Angelo, drummer and producer Ahmir "Questlove" Thompson, producer J Dilla, singer-songwriter Erykah Badu, trumpeter Roy Hargrove, keyboardist James Poyser, singer Bilal, bassist Pino Palladino, rapper-producers Q-Tip and Mos Def, and rappers Talib Kweli and Common.
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Passive spring-like structures can store and return energy during cyclic movements and thereby reduce the energetic cost of locomotion. That makes them important components of the human body and wearable assistive devices alike. This study investigates how ...
We propose a multi-hop control scheme (MHCS) that aims to route traffic through a set of designated intermediate checkpoints (ICs). Because travelers are allowed to freely choose routes for each “hop” that connects real (origin and destination) and ICs, MH ...