Satellite communication

A communications satellite is an artificial satellite that relays and amplifies radio telecommunication signals via a transponder; it creates a communication channel between a source transmitter and a receiver at different locations on Earth. Communications satellites are used for television, telephone, radio, internet, and military applications. Many communications satellites are in geostationary orbit above the equator, so that the satellite appears stationary at the same point in the sky; therefore the satellite dish antennas of ground stations can be aimed permanently at that spot and do not have to move to track the satellite. Others form satellite constellations in low Earth orbit, where antennas on the ground have to follow the position of the satellites and switch between satellites frequently. The high frequency radio waves used for telecommunications links travel by line of sight and so are obstructed by the curve of the Earth. The purpose of communications satellites is to relay the signal around the curve of the Earth allowing communication between widely separated geographical points. Communications satellites use a wide range of radio and microwave frequencies. To avoid signal interference, international organizations have regulations for which frequency ranges or "bands" certain organizations are allowed to use. This allocation of bands minimizes the risk of signal interference. In October 1945, Arthur C. Clarke published an article titled "Extraterrestrial Relays" in the British magazine Wireless World. The article described the fundamentals behind the deployment of artificial satellites in geostationary orbits to relay radio signals. Because of this, Arthur C. Clarke is often quoted as being the inventor of the concept of the communications satellite, and the term 'Clarke Belt' is employed as a description of the orbit. The first artificial Earth satellite was Sputnik 1 which was put into orbit by the Soviet Union on 4 October 1957. It was developed by Mikhail Tikhonravov and Sergey Korolev, building on work by Konstantin Tsiolkovsky.