Concept

Salon des Refusés

Related concepts (7)
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting").
Salon (Paris)
[[File:Rixens jour de vernissage.jpg|thumb|right|300px|Formally dressed patrons at the Salon in 1890. 'Un Jour de vernissage au palais des Champs-Élysées by Jean-André Rixens featuring Tigresse apportant un paon à ses petits by Auguste Cain.]] The Salon (Salon), or rarely Paris Salon (French: Salon de Paris salɔ̃ də paʁi), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
French art salons and academies
From the seventeenth century to the early part of the twentieth century, artistic production in France was controlled by artistic academies which organized official exhibitions called salons. In France, academies are institutions and learned societies which monitor, foster, critique and protect French cultural production. Academies were more institutional and more concerned with criticism and analysis than those literary gatherings today called salons which were more focused on pleasurable discourse in society, although certain gatherings around such figures as Marguerite de Valois were close to the academic spirit.
Salon (gathering)
A salon is a gathering of people held by a host. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: aut delectare aut prodesse). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries are still being carried on today. The salon first appeared in Italy in the 16th century, then flourished in France throughout the 17th and 18th centuries. It continued to flourish in Italy throughout the 19th century.
Modern art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art.
Salon d'Automne
The Salon d'Automne (salɔ̃ dotɔn; Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.
Émile Zola
Émile Édouard Charles Antoine Zola (ˈzoʊlə, also USzoʊˈlɑː, emil zɔla; 2 April 1840 - 29 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse.

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