Roman sculptureThe study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
Christian burialA Christian burial is the burial of a deceased person with specifically Christian rites; typically, in consecrated ground. Until recent times Christians generally objected to cremation because it interfered with the concept of the resurrection of a corpse, and practiced inhumation almost exclusively. Today this opposition has all but vanished among Protestants and Catholics alike, and this is rapidly becoming more common, although Eastern Orthodox Churches still mostly forbid cremation.
MonumentA monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets.
HeadstoneA headstone, tombstone, or gravestone is a stele or marker, usually stone, that is placed over a grave. It is traditional for burials in the Christian, Jewish, and Muslim religions, among others. In most cases, it has the deceased's name, date of birth, and date of death inscribed on it, along with a personal message, or prayer, but may contain pieces of funerary art, especially details in stone relief. In many parts of Europe, insetting a photograph of the deceased in a frame is very common.
Cadaver monumentA cadaver monument or transi is a type of funerary monument to deceased persons featuring a sculpted tomb effigy of a skeleton, emaciated or decomposing dead body, with closed eyes. It was particularly characteristic of the Late Middle Ages when they were designed to remind viewers of the transience and vanity of mortal life, and the eternity and desirability of the Christian after-life. The format is in stark contrast to gisants, which are always recumbent, in full dress, with open eyes and hands clasped and raised in prayer.
Grave goodsGrave goods, in archaeology and anthropology, are items buried along with a body. They are usually personal possessions, supplies to smooth the deceased's journey into an afterlife, or offerings to gods. Grave goods may be classed by researchers as a type of votive deposit. Most grave goods recovered by archaeologists consist of inorganic objects such as pottery and stone and metal tools, but organic objects that have since decayed were also placed in ancient tombs.
EffigyAn effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were in the past also used for punishment in formal justice, when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion.
UshabtiThe ushabti (also called shabti or shawabti, with a number of variant spellings) was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from 𓅱𓈙𓃀𓏏𓏭𓀾 , which replaced earlier 𓆷𓍯𓃀𓏏𓏭𓀾 , perhaps the nisba of 𓈙𓍯𓃀𓆭 "Persea tree". Ushabtis were placed in tombs among the grave goods and were intended to act as servants or minions for the deceased, should they be called upon to do manual labor in the afterlife.
Celtic artCeltic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures.
Equestrian statueAn equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. Equestrian statuary in the West dates back at least as far as Archaic Greece.
