Dialectic of Enlightenment (Dialektik der Aufklärung) is a work of philosophy and social criticism written by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno. The text, published in 1947, is a revised version of what the authors originally had circulated among friends and colleagues in 1944 under the title of Philosophical Fragments (Philosophische Fragmente).
One of the core texts of critical theory, Dialectic of Enlightenment explores the socio-psychological status quo that had been responsible for what the Frankfurt School considered the failure of the Age of Enlightenment. Together with Adorno's The Authoritarian Personality (1950) and fellow Frankfurt School member Herbert Marcuse's One-Dimensional Man (1964), it has had a major effect on 20th-century philosophy, sociology, culture, and politics, especially inspiring the New Left of the 1960s and 1970s.
One of the distinguishing characteristics of the new critical theory, as Adorno and Horkheimer set out to elaborate it in Dialectic of Enlightenment, is a certain ambivalence concerning the ultimate source or foundation of social domination.
Such would give rise to the "pessimism" of the new critical theory over the possibility of human emancipation and freedom. Furthermore, this ambivalence was rooted in the historical circumstances in which Dialectic of Enlightenment was originally produced: the authors saw National Socialism, Stalinism, state capitalism, and culture industry as entirely new forms of social domination that could not be adequately explained within the terms of traditional theory.
For Adorno and Horkheimer (relying on the economist Friedrich Pollock's thesis on National Socialism), state intervention in the economy had effectively abolished the tension in capitalism between the "relations of production" and the "material productive forces of society," a tension that, according to traditional theory, constituted the primary contradiction within capitalism. The market (as an "unconscious" mechanism for the distribution of goods) had been replaced by centralized planning.
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A critical theory is any approach to social philosophy that focuses on society and culture to attempt to reveal, critique, and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, sociology, history, communication theory, philosophy and feminist theory.
The term culture industry (Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing standardized cultural goods—films, radio programmes, magazines, etc.—that are used to manipulate mass society into passivity.
Donatien Alphonse François, Marquis de Sade (dɔnasjɛ̃ alfɔ̃z fʁɑ̃swa maʁki də sad; 2 June 1740 – 2 December 1814), was a French nobleman, revolutionary politician, philosopher and writer famous for his literary depictions of a libertine sexuality as well as numerous accusations of sex crimes. His works include novels, short stories, plays, dialogues, and political tracts. In his lifetime some of these were published under his own name while others, which Sade denied having written, appeared anonymously.
Delves into the complex relationship between architecture and society, exploring the possibilities of creating autonomous and critical architectural designs.
Conference abstract: A type is not a model or an image to be copied, but the deep structure of how things are put together. The Symposium revisits the concept of type by critically reading its previous definitions and by offering a new interpretation of thi ...
A type is not a model or an image to be copied, but the deep structure of how things are put together. The Symposium revisits the concept of type by critically reading its previous definitions and by offering a new interpretation of this rather elusive, but ...