Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp.
Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change.
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate Gallery traces the practice back to Cubism and Dadaism, and continuing into 1940s Surrealism and 1950s Pop art. It returned to prominence in the 1980s with the Neo-Geo artists, and is now common practice amongst contemporary artists like Richard Prince, Sherrie Levine, and Jeff Koons.
Many artists made references to works by previous artists or themes.
In 1856 Ingres painted the portrait of Madame Moitessier. The unusual pose is known to have been inspired by the famous ancient Roman wall painting Herakles Finding His Son Telephas. In doing so, the artist created a link between his model and an Olympian goddess.
Edouard Manet painted Olympia in 1865, inspired by Titian's Venus of Urbino. His painting Le Déjeuner sur l'herbe was also inspired by the work of the Old Masters; specifically, its composition is based on a detail of Marcantonio Raimondi's The Judgement of Paris (1515).
Gustave Courbet is believed to have seen the famous color woodcut The Great Wave off Kanagawa by Japanese artist Katsushika Hokusai before painting a series of the Atlantic Ocean during the summer of 1869.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Through close readings of key examples, the course revisits the historical evolution of architectural drawing and representation as autonomous entities, aiming to reclaim the agency of architectural d
La Vita è Bella engages with the question of how people appropriate their surroundings in the private and public sphere. How do we adopt and intervene in this world? By means of built interventions, 1
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade.
Collage (kə'lɑːʒ, from the coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas.
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art.
Systematic compositionality, or the ability to adapt to novel situations by creating a mental model of the world using reusable pieces of knowledge, remains a significant challenge in machine learning. While there has been considerable progress in the lang ...
In response to the growing trend towards end-to-end learning, we propose a novel framework advancing towards an end-to-end multi-camera multi-object tracking (MC-MOT) solution that addresses challenges like occlusions, viewpoint variations, and illuminatio ...
In this study, the in vivo degradation of metal-on-metal (MoM) artificial hip joints was assessed based on the present state of the art concepts of tribocorrosion. A recently developed tribocorrosion model, based on the combination of mechanical and corros ...