Manuscript

Summary

A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of prints, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The word "manuscript" derives from the manūscriptum (from manus, hand and scriptum from scribere, to write). The study of the writing (the "hand") in surviving manuscripts is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or m

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https://en.wikipedia.org/wiki/Manuscript

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How Leibniz read Pascal’s Geometry: The Practice of Reading as Hybrid Hermeneutics in the Materiality of Leibniz’s Pascaliana

Simon François Dumas Primbault

Between 1675 and 1676, while in Paris, Gottfried Wilhelm Leibniz (1646–1716) got privileged access to some geometric manuscripts from late Blaise Pascal’s hand. Although said manuscripts are not extant, Leibniz’s reading notes were preserved, together with his personal papers in Hannover, under the heading “Pascaliana.” The mathematical content of these notes and the influence they had on Leibniz’s later work are quite known nowadays. At the crossroads of the history of ideas, historical epistemology, and material history, this contribution looks at Leibniz’s Pascaliana through the prism of their materiality—format, layout, organization, corrections, and additions—, and the practices it betrays—copying, commenting, excerpting. Parallel to knowing what Leibniz read in Pascal, this perspective allows us to shed light on how Leibniz read Pascal, on the very intellectual-material operations that allowed him to incorporate a foreign thought and, eventually, start developing his own.

2022

An Ink–and–Paper Automaton: The Conceptual Mechanization of Cognition and the Practical Automation of Reasoning in Leibniz’s De Affectibus (1679)

Simon François Dumas Primbault

On ten loose handwritten folios dating back from April 1679, Leibniz gradually devised, in the course of three days, a full-blown theory of thought that nonetheless remained unpublished and still has received little attention from scholars. Conceiving of affectūs as the driving forces that set the mind in motion from one thought to another and passions as the inertia opposing such movement, this manuscript results in a systematic psychology understood as a dynamics of thoughts modelled on the mechanical laws of motion for solid bodies. Delving into Leibniz‘s working papers to witness the unfolding of his thoughts, I propose to pay attention to the many intellectual operations that paved the way for his metaphysics. From his reading notes on Descartes to his syllogistically redefining a set of concepts and propositions, Leibniz here defines an affective theory of cognition and sets the first foundations of a combinatorial ontology: his socalled scientia generalis. Focusing on the material practices that govern his use of paper, I would like to show that Leibniz‘s conceptual mechanization of cognition is materially dependent on a practical automation of reasoning reduced to a propositional calculus on paper. Eventually, this contribution is a plea for a media-historical reading of Leibniz‘s working papers.

2020

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We detected handwritten characters in ancient documents from several centuries with different synchrotron x-ray imaging techniques. The results were correlated to those of x-ray fluorescence analysis. In most cases, heavy elements produced high image quality suitable for tomography reconstruction leading to virtual page-by-page “reading”. When absorption is too low, differential phase contrast (DPC) imaging can reveal the characters from the substrate morphology. This paves the way to new strategies for information harvesting during mass digitization programs. This study is part of the Venice Time Machine project, an international research program aiming at transforming the immense venetian archival records into an open access digital information system. The Archivio di Stato in Venice holds about 80 kms of archival records documenting every aspects of a 1000 years of Venetian history. A large part of these records take the form of ancient bounded registers that can only be digitize through cautious manual operations. Each page must be turned manually in order to be photographed. Our project explore new ways to virtually “read” manuscripts, without opening them,. We specifically plan to use x-ray tomography to computer-extract page-by-page information from sets of projection images. The raw data can be obtained without opening or manipulating the manuscripts, reducing the risk of damage and speeding up the process. The present tests demonstrate that the approach is feasible. Furthermore, they show that over a very long period of time the common recipes used in Europe for inks in “normal” handwritings - ship records, notary papers, commercial transactions, demographic accounts, etc. – very often produced a high concentration of heavy or medium-heavy elements such as Fe, Hg and Ca. This opens the way in general to x-ray analysis and imaging. Furthermore, it could lead to a better understanding of the deterioration mechanisms in the search for remedies. The most important among the results that we will present is tomographic reconstruction. We simulated books with stacks of manuscript fragments and obtained from sets of projection images individual views -- that correspond indeed to a virtual page-by-page “reading” without opening the volume.

2014

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2014