Minimalism

In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term minimalist often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and the automobile designs of Colin Chapman. The word was first used in English in the early 20th century to describe a 1915 composition by the Soviet painter Kasimir Malevich, Black Square. Minimalism (visual arts) Minimalism in visual art, sometimes called "minimal art", "literalist art" and "ABC Art", refers to a specific movement of artists that emerged in New York in the early 1960s in response to abstract expressionism. Examples of artists working in painting that are associated with Minimalism include Nassos Daphnis, Frank Stella, Kenneth Noland, Al Held, Ellsworth Kelly, Robert Ryman and others; those working in sculpture include Donald Judd, Dan Flavin, David Smith, Anthony Caro and more. Minimalism in painting can be characterized by the use of the hard edge, linear lines, simple forms, and an emphasis on two dimensions. Minimalism in sculpture can be characterized by very simple geometric shapes often made of industrial materials like plastic, metal, aluminum, concrete, and fiberglass; these materials are usually left raw or painted a solid colour.

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related publications (1)

Related concepts (29)

Related courses (3)

Related lectures (8)

Weakening effect of various pore fluids on the tensile strength of granite

Guanyi Lu

Laboratory three-point bending experiments are carried out to evaluate the effect of various fluids on the tensile strength of granite. The granite specimens were tested under both dry and saturated c

SPRINGER HEIDELBERG2022

Abstract expressionism

Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism.

Minimalism

Lyrical abstraction

Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945–1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Mu

AR-365: Theory and architectural culture

Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une disci

AR-366: Theory and architectural culture: exercises

Le cours offre une méthode pour discerner et comprendre les idées, les théories et les valeurs culturelles dans des bâtiments et des projets d'architecture.

AR-310: Art and architecture

La structure du cours suivra une orientation chronologique. Le cours s'articulera en leçons qui reconstruiront historiquement les diverses œuvres et théories développées au cours des XXe et XXIe siècl

Richard Venlet: Artistic Environments

Delves into Richard Venlet's creation of whimsical environments through sculpture, art history research, and exhibition design, prompting viewers to engage actively with their surroundings.

Architecture and Society: Innovations, Critique, and Resistance

Explores the role of architecture and architects in modern society, questioning if architects can shape society or if architecture is determined by social, political, and economic conditions.

Heritage Preservation: Optical Instruments in Architecture

Showcases the use of optical instruments in architecture to enhance visitor experience.