Performing artsThe performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, dance, object manipulation, and other kinds of performances are present in all human cultures.
GenreGenre (UK: /ˈʒɑ̃ː.rə/, /ˈʒɒn.rə/; US: /ˈʒɑːn.rə/) () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria. Genres can be aesthetic, rhetorical, communicative, or functional.
Fiction writingFiction writing is the composition of non-factual prose texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types (though not the only types) of fictional writing styles. Different types of authors practice fictional writing, including novelists, playwrights, short story writers, radio dramatists and screenwriters. Fiction#Categories of fiction A genre is the subject matter or category that writers use.
Act (drama)An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) or a unit of analysis for dividing a dramatic work into sequences. The word act can also be used for major sections of other entertainment, such as variety shows, television programs, music hall performances, cabaret, and literature.
ThespisThespis (ˈθɛspɪs; Θέσπις; fl. 6th century BC) was an Ancient Greek poet. He was born in the ancient city of Icarius (present-day Dionysos, Greece). According to certain Ancient Greek sources and especially Aristotle, he was the first person ever to appear on stage as an actor playing a character in a play (instead of speaking as themselves). In other sources, he is said to have introduced the first principal actor in addition to the chorus. He is often called the "Inventor of Tragedy".
Realism (theatre)Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages).
Closet dramaA closet drama is a play that is not intended to be performed onstage, but read by a solitary reader or sometimes out loud in a large group. The contrast between closet drama and classic "stage" dramas dates back to the late eighteenth century. The literary historian Henry A. Beers considers closet drama "a quite legitimate product of literary art." A closet drama (or closet play) is a play created primarily for reading, rather than production.
TragedyTragedy (from the τραγῳδία, tragōidia) is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization.
Kyōgenis a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts on the same stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn Noh theater; kyōgen is a comic form, and its primary goal is to make its audience laugh. Kyōgen together with Noh is part of Nōgaku theatre.
Social criticismSocial criticism is a form of academic or journalistic criticism focusing on social issues in contemporary society, in respect to perceived injustices and power relations in general. The origin of modern social criticism go back at least to the Age of Enlightenment. According to the historian Jonathan Israel the roots of the radical enlightenment can be found in Spinoza and his circle. Radical enlighteners like Jean Meslier were not satisfied with the social criticism of the time, which was essentially a criticism of religion.
