Summary
In critical theory, philosophy, sociology, and psychoanalysis, the gaze (French: le regard), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. The concept and the social applications of the gaze have been defined and explained by existentialist and phenomenologist philosophers. Jean-Paul Sartre described the gaze (or "the look") in Being and Nothingness (1943). Michel Foucault, in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline. Jacques Derrida, in The Animal That Therefore I Am (More to Come) (1997), elaborated upon the inter-species relations that exist among human beings and other animals, which are established by way of the gaze. In Lacanian psychoanalytic theory, Lacan's view on the gaze changes throughout the course of his work. Initially, the concept of the gaze was used by Lacan through his psychoanalytic work on the mirror stage. The mirror stage occurs when a child encountering a mirror learns that they have an external appearance. Theoretically, this is where the child begins their entrance into culture and the world. The child enters language and culture through establishing an ideal image of themselves in the mirror. This image is someone the child can aspire to be like and work towards. The role of the ideal ego or self can also be filled by other people in their lives such as parents, siblings, teachers etc. In his later essays however, Lacan refers to the gaze as the anxious feeling that one is being watched. More specifically, it is when the object that one is viewing is somehow looking back at the subject on its own terms. The psychological effect upon the person subjected to the gaze is a loss of autonomy upon becoming aware that they are a visible object.
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