Concept

Harold Scott MacDonald Coxeter

Summary
Harold Scott MacDonald "Donald" Coxeter (9 February 1907 – 31 March 2003) was a British-Canadian geometer and mathematician. He is regarded as one of the greatest geometers of the 20th century. Coxeter was born in Kensington to Harold Samuel Coxeter and Lucy (). His father had taken over the family business of Coxeter & Son, manufacturers of surgical instruments and compressed gases (including a mechanism for anaesthetising surgical patients with nitrous oxide), but was able to retire early and focus on sculpting and baritone singing; Lucy Coxeter was a portrait and landscape painter who had attended the Royal Academy of Arts. A maternal cousin was the architect Sir Giles Gilbert Scott. In his youth, Coxeter composed music and was an accomplished pianist at the age of 10. He felt that mathematics and music were intimately related, outlining his ideas in a 1962 article on "Music and Mathematics" in the Canadian Music Journal. He was educated at King Alfred School, London and St George's School, Harpenden, where his best friend was John Flinders Petrie, later a mathematician for whom Petrie polygons were named. He was accepted at King's College, Cambridge in 1925, but decided to spend a year studying in hopes of gaining admittance to Trinity College, where the standard of mathematics was higher. Coxeter won an entrance scholarship and went to Trinity College, Cambridge in 1926 to read mathematics. There he earned his BA (as Senior Wrangler) in 1928, and his doctorate in 1931. In 1932 he went to Princeton University for a year as a Rockefeller Fellow, where he worked with Hermann Weyl, Oswald Veblen, and Solomon Lefschetz. Returning to Trinity for a year, he attended Ludwig Wittgenstein's seminars on the philosophy of mathematics. In 1934 he spent a further year at Princeton as a Procter Fellow. In 1936 Coxeter moved to the University of Toronto. In 1938 he and P. Du Val, H.T. Flather, and John Flinders Petrie published The Fifty-Nine Icosahedra with University of Toronto Press.
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