Tube sound (or valve sound) is the characteristic sound associated with a vacuum tube amplifier (valve amplifier in British English), a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.
Many electric guitar, electric bass, and keyboard players in several genres also prefer the sound of tube instrument amplifiers or preamplifiers. Tube amplifiers are also preferred by some listeners for stereo systems.
Before the commercial introduction of transistors in the 1950s, electronic amplifiers used vacuum tubes (known in the United Kingdom as "valves"). By the 1960s, solid state (transistorized) amplification had become more common because of its smaller size, lighter weight, lower heat production, and improved reliability. Tube amplifiers have retained a loyal following amongst some audiophiles and musicians. Some tube designs command very high prices, and tube amplifiers have been going through a revival since Chinese and Russian markets have opened to global trade—tube production never went out of vogue in these countries. Many transistor-based audio power amplifiers use MOSFET (metal–oxide–semiconductor field-effect transistor) devices in their power sections, because their distortion curve is more tube-like.
Some musicians
prefer the distortion characteristics of tubes over transistors for electric guitar, bass, and other instrument amplifiers.
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The course is covering following aspects: MOS Transistor Modeling for Low-Voltage and Low-Power Circuit Design, Noise Performance of Elementary Transistor Stages, Stability of Operational Amplifiers,
Passivity is a property of engineering systems, most commonly encountered in analog electronics and control systems. Typically, analog designers use passivity to refer to incrementally passive components and systems, which are incapable of power gain. In contrast, control systems engineers will use passivity to refer to thermodynamically passive ones, which consume, but do not produce, energy. As such, without context or a qualifier, the term passive is ambiguous.
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s. Valve amplifiers can be used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS, high quality stereo amplifiers, military applications (such as radar) and very high power radio and UHF television transmitters.
Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating. In the frequency domain, clipping produces strong harmonics in the high-frequency range (as the clipped waveform comes closer to a squarewave). The extra high-frequency weighting of the signal could make tweeter damage more likely than if the signal was not clipped.
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This paper presents an acoustic impedance control architecture for an electroacoustic absorber combining both feedforward and feedback microphone-based strategies on a current-driven loudspeaker. Feedforward systems enable good performance for direct imped ...