Dynamic range compression

Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and in some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high ratio and, generally, a short attack time. There are two types of compression, downward and upward. Both downward and upward compression reduce the dynamic range of an audio signal. Downward compression reduces the volume of loud sounds above a certain threshold. The quiet sounds below the threshold remain unaffected. This is the most common type of compressor. A limiter can be thought of as an extreme form of downward compression as it compresses the sounds over the threshold especially hard. Upward compression increases the volume of quiet sounds below a certain threshold. The louder sounds above the threshold remain unaffected. Some compressors also have the ability to do the opposite of compression, namely expansion. Expansion increases the dynamic range of the audio signal. Like compression, expansion comes in two types, downward and upward. Downward expansion make the quiet sounds below the threshold even quieter. A noise gate can be thought of as an extreme form of downward expansion as the noise gate make the quiet sounds (for instance: noise) quieter or even silent, depending on the floor setting. Upward expansion make the louder sounds above the threshold even louder.