A metanarrative (also meta-narrative and grand narrative; métarécit or grand récit) is a narrative about narratives of historical meaning, experience, or knowledge, which offers a society legitimation through the anticipated completion of a (as yet unrealized) master idea.
"Meta" is Greek for "beyond"; "narrative" is a story that is characterized by its telling (it is communicated somehow).
Although first used earlier in the 20th century, the term was brought into prominence by Jean-François Lyotard in 1979, with his claim that the postmodern was characterised precisely by a mistrust of the "grand narratives" (Progress, Enlightenment, Emancipation, Marxism) that had formed an essential part of modernity.
In The Postmodern Condition: A Report on Knowledge (1979), Lyotard highlights the increasing skepticism of the postmodern condition toward the totalizing nature of metanarratives and their reliance on some form of "transcendent and universal truth":
Simplifying to the extreme, I define postmodern as incredulity toward metanarratives. ... The narrative function is losing its functors, its great hero, its great dangers, its great voyages, its great goal. It is being dispersed in clouds of narrative language ... Where, after the metanarratives, can legitimacy reside?
Lyotard and other poststructuralist thinkers (like Foucault) view this as a broadly positive development for a number of reasons. First, attempts to construct grand theories tend to unduly dismiss the naturally existing chaos and disorder of the universe, the power of the individual event.
Sociology.org.uk states that it is unclear whether Lyotard is describing a global condition of skepticism towards metanarratives in postmodernity, or prescribing such skepticism. His critics point out the awkward fact that meta-narratives clearly continue to play a major role in the current postmodern world.
Lyotard proposed that metanarratives should give way to petits récits, or more modest and "localized" narratives, which can ''throw off" the grand narrative by bringing into focus the singular event.
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A critical theory is any approach to social philosophy that focuses on society and culture to attempt to reveal, critique, and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, sociology, history, communication theory, philosophy and feminist theory.
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The advantage of the dynamism of the London architectural scene seems rather ignored by historians and theorists. Not only is London absent from the grand narrative of modernity, but it is also denied the status of avant-garde, although since the 1960s, th ...