Sound symbolism

In linguistics, sound symbolism is the resemblance between sound and meaning. It is a form of linguistic iconicity. For example, the English word ding may sound similar to the actual sound of a bell. Linguistic sound may be perceived as similar to not only sounds, but also to other sensory properties, such as size, vision, touch, or smell, or abstract domains, such as emotion or value judgment. Such correspondence between linguistic sound and meaning may significantly affect the form of spoken languages. In Cratylus, Plato has Socrates commenting on the origins and correctness of various names and words. When Hermogenes asks if he can provide another hypothesis on how signs come into being (his own is simply 'convention'), Socrates initially suggests that they fit their referents in virtue of the sounds they are made of: Now the letter rho, as I was saying, appeared to the imposer of names an excellent instrument for the expression of motion; and he frequently uses the letter for this purpose: for example, in the actual words rein and roe he represents motion by rho; also in the words tromos (trembling), trachus (rugged); and again, in words such as krouein (strike), thrauein (crush), ereikein (bruise), thruptein (break), kermatixein (crumble), rumbein (whirl): of all these sorts of movements he generally finds an expression in the letter R, because, as I imagine, he had observed that the tongue was most agitated and least at rest in the pronunciation of this letter, which he therefore used in order to express motion However, faced by an overwhelming number of counterexamples given by Hermogenes, Socrates has to admit that "my first notions of original names are truly wild and ridiculous". The Upanishads and Vyākaraṇa contain a lot of material about sound symbolism, for instance: The mute consonants represent the earth, the sibilants the sky, the vowels heaven. The mute consonants represent fire, the sibilants air, the vowels the sun... The mute consonants represent the eye, the sibilants the ear, the vowels the mind.

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Related concepts (6)

Phono-semantic matching

Phono-semantic matching (PSM) is the incorporation of a word into one language from another, often creating a neologism, where the word's non-native quality is hidden by replacing it with phonetically and semantically similar words or roots from the adopting language. Thus the approximate sound and meaning of the original expression in the source language are preserved, though the new expression (the PSM – the phono-semantic match) in the target language may sound native.

Ideophone

An ideophone is any word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property. The class of ideophones is the least common cross-linguistically; it occurs mostly in African, Australian, and Amerindian languages, and sporadically elsewhere. It is globally the only known word class exotic to English. Ideophones resemble interjections but are unclassifiable as such owing to their special phonetic or derivational characteristics, and based on their syntactic function within the sentence.

Nirukta

Nirukta (निरुक्त, n̪iɾuktɐ, "explained, interpreted") is one of the six ancient Vedangas, or ancillary science connected with the Vedas – the scriptures of Hinduism. Nirukta covers etymology, and is the study concerned with correct interpretation of Sanskrit words in the Vedas. Nirukta is the systematic creation of a glossary and it discusses how to understand archaic, uncommon words. The field grew probably because almost a quarter of words in the Vedic texts composed in the 2nd-millennium BCE appear just once.