Concept
Italian Renaissance
Related concepts (107)
Antonio da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (kəˈrɛdʒioʊ, also UKkɒˈ-, US-dʒoʊ, korˈreddʒo), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century.
Giovanni Boccaccio
Giovanni Boccaccio (UKbəˈkætʃioʊ, USboʊˈkɑːtʃ(i)oʊ,_bə-, dʒoˈvanni bokˈkattʃo; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century.
Titian
Tiziano Vecelli or Vecellio (titˈtsjaːno veˈtʃɛlljo; 1488/90 - 27 August 1576), known in English as Titian (ˈtɪʃən ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Piero della Francesca
Piero della Francesca (ˌpjɛəroʊ_ˌdɛlə_frænˈtʃɛskə, USalso-_frɑːnˈ-, ˈpjɛːro della franˈtʃeska; ; 1415 – 12 October 1492) was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Andrea del Verrocchio
Andrea del Verrocchio (vəˈroʊkioʊ, USalso-ˈrɔːk-, anˈdrɛːa del verˈrɔkkjo; 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi.
Masaccio
Masaccio (UKmæˈsætʃioʊ, USməˈsɑːtʃioʊ,_məˈzɑːtʃ(i)oʊ, maˈzattʃo; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures.
Renaissance art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge.
Italians
Italians (Italiani, itaˈljaːni) are an ethnic group native to the Italian geographical region. Italians share a common culture, history, ancestry and language. Their predecessors differ regionally, but generally include native populations such as the Etruscans, the Rhaetians, the Ligurians, the Adriatic Veneti, and the Italic peoples, including the Latins, from which the Romans emerged and helped create and evolve the modern Italian identity.
House of Medici
The House of Medici (ˈmɛdᵻtʃi , ˈmɛːditʃi) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici, during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.
Donatello
Donato di Niccolò di Betto Bardi (1386 – 13 December 1466), better known as Donatello (,dQn@'tElou donaˈtɛllo), was an Italian sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career.