Concept
Unkei
Related concepts (16)
Kaikei
Kaikei was a Japanese Busshi (sculptor of Buddha statue) of Kamakura period, known alongside Unkei. Because many busshi of the school have a name including kei (慶), his school is called Kei-ha (Kei school). Kaikei being also called Annami-dabutsu, his style is called Anna-miyō (Anna style) and is known to be intelligent, pictorial and delicate. Most of his works have a height of about three shaku, and there are many of his works in existence. Amitabha Triad in Jōdo-ji in Ono (1195) - National Treasure of Japan.
Kei school
The Kei school was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th. Art historian Joan Stanley Baker cites the Kei school's early works as the last highpoint in the history of Japanese sculpture. The Kei school developed out of that led by the busshi (Buddhist sculptor) Jōchō's successor, Kakujō and Kakujō's son Raijō, the leading sculptors of the preceding generations.
Jōchō
Jōchō (定朝; died 1057 AD), also known as Jōchō Busshi, was a Japanese sculptor of the Heian period. He popularized the yosegi technique of sculpting a single figure out of many pieces of wood, and he redefined the canon of body proportions used to create Buddhist imagery. His style spread across Japan and defined Japanese sculpture for the next 150 years. Today, art historians cite Jōchō as "the first of a new kind of master sculptor" and "one of the most innovative artists Japan has ever produced.
Buddhist art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
National Treasure (Japan)
Some of the National Treasures of Japan A National Treasure is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts". Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship.
Busshi
A Busshi (仏師) is a Japanese sculptor specializing in Buddha statues. Chōkai (ja) Chōsei (ja) Eikai (ja) Enkū Ensei (ja) Genkei (ja) Gyōkai (ja) Higo Bettō Jōkei (ja) Inchō (ja) Injo (ja) Inkaku (ja) Inkichi (ja) Inson (ja) Jōchō Jōkaku (ja) Jōkei Kaikei Kakuen (ja) Kakujo (ja) Kōben (ja) Kōkei Kōchō (ja) Kōjo (ja) Kochi no Obinari (ja) Kōshō (ja) Kōshō (ja) Kōun (ja) Kuninaka no Kimimaro (ja) Matsumoto Myōkei (ja) Myōen (ja) Raijo (ja) Seichō (ja) Tankei Tori Busshi Unga (ja) Unjo (ja) Unkei Yamaguchi no Ō
Kōkei (sculptor)
Kōkei (康慶, active 1175–1200) was a Japanese sculptor of the Kamakura period. He headed the Kei school during the reconstructions of Tōdai-ji and Kōfuku-ji. Although his works are still largely in the style established by Jōchō in the Heian period, Kōkei's sculpture show a move toward the greater realism that characterizes the works of his disciples Unkei, Kaikei, and Jōkei. Kōkei was a direct descendant, both genetically and artistically, of Jōchō, a master sculptor of the Heian period.
Nio
are two wrathful and muscular guardians of the Buddha standing today at the entrance of many Buddhist temples in East Asian Buddhism in the form of frightening wrestler-like statues. They are dharmapala manifestations of the bodhisattva Vajrapāṇi, the oldest and most powerful of the Mahayana Buddhist pantheon. According to scriptures like the Pāli Canon as well as the Ambaṭṭha Sutta, they travelled with Gautama Buddha to protect him.
Tōdai-ji
is a Buddhist temple complex that was once one of the powerful Seven Great Temples, located in the city of Nara, Japan. Though it was originally founded in the year 738 CE, Tōdai-ji was not opened until the year 752 CE. The temple has undergone several reconstructions since then, with the most significant reconstruction (that of the Great Buddha Hall) taking place in 1709. Its Great Buddha Hall (大仏殿 Daibutsuden) houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese as Daibutsu (大仏).
Japanese art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world.