Zarico

Zydeco (ˈzaɪdɪˌkoʊ or ˈzaɪdiˌkoʊ , Zarico) is a music genre that evolved in southwest Louisiana by French Creole speakers which blends blues, rhythm and blues, and music indigenous to the Louisiana Creoles and the Native American people of Louisiana. Although it is distinct in origin from the Cajun music of Louisiana, the two forms influenced each other, forming a complex of genres native to the region. Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, Afro-Caribbean, Cajun, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. If there are accompanying lyrics, they are typically sung in English or French. Many zydeco performers create original zydeco compositions, though it is also common for musicians to adapt blues standards, R&B hits, and traditional Cajun tunes into the zydeco style. The origin of the term "zydeco" is uncertain. One theory is that it derives from the French phrase Les haricots ne sont pas salés, which, when spoken in Louisiana French, is pronounced lez‿a.ɾi.ko nə sɔ̃ pa saˈle. This literally translates as "the green beans aren't salted" and is used idiomatically to express hardship. Initially, several different spellings of the word existed, including "zarico" and "zodico" (in some dialects of French, r has the same pronunciation used by certain dialects of American English for specific instances of d — a voiced alveolar tap ɾ). In 1960, musicologist Mack McCormick wrote liner notes for a compilation album, A Treasury of Field Recordings, and used the spelling "zydeco". The word was used in reviews, and McCormick began publicizing it around Houston as a standard spelling. Its use was also accepted by musician Clifton Chenier, who had previously recorded "Zodico Stomp" in 1955, in his recording "Zydeco Sont Pas Salés".