Graphic art software

Graphic art software is a subclass of application software used for graphic design, multimedia development, stylized , technical illustration, general , or simply to access graphic files. Art software uses either raster or vector graphic reading and editing methods to create, edit, and view art. Many artists and other creative professionals today use personal computers rather than traditional media. Using graphic art software may be more efficient than rendering using traditional media by requiring less hand–eye coordination, requiring less skill, and utilizing the computer's quicker (sometimes more accurate) automated rendering functions to create images. However, advanced level computer styles, effects and editing methods may require a steeper learning curve of computer technical skills than what was required to learn traditional hand rendering and mental imaging skills. The potential of the software to enhance or hinder creativity may depend on the intuitiveness of the interface. Most art software includes common functions, creation tools, editing tools, filters, and automated rendering modes. Many, however, are designed to enhance a specialized skill or technique. Specialized software packages may be discontinued for various reasons such as lack of appreciation for the result, lack of expertise and training for the product, or simply not worth the time and money investment, but most likely due to obsolescence compared to newer methods or integration as a feature of newer more complete software packages. Graphic design professionals favor general image editing software and page layout software commonly referred to as desktop publishing software. Graphic designers that are also image developers or multimedia developers may use a combination of page layout software with the following: Multimedia development professionals favor software with audio, motion and interactivity such as software for creating and editing hypermedia, electronic presentations (more specifically slide presentations), computer simulations and games.

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Concepts associés (18)

Cours associés (23)

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Digital illustration

Digital illustration or computer illustration is the use of digital tools to produce images under the direct manipulation of the artist, usually through a pointing device such as a graphics tablet or, less commonly, a mouse. It is distinguished from computer-generated art, which is produced by a computer using mathematical models created by the artist. It is also distinct from digital manipulation of photographs, in that it is an original construction "from scratch".

Peinture numérique

La peinture numérique (ou digital painting, en anglais) est une forme d'art numérique apparue dans les années 1990 dans laquelle les techniques traditionnelles de la peinture, telles que l'aquarelle, les huiles et l’impasto, sont appliquées à l'aide d'outils numériques grâce à un ordinateur, une tablette graphique, un stylet et un logiciel. La peinture numérique diffère des autres formes d'art numérique, en particulier l'art généré par ordinateur, parce qu'elle n'implique pas que l'ordinateur s'appuie sur un modèle.

Retouche numérique

Image editing encompasses the processes of altering s, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching, using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium. Graphic software programs, which can be broadly grouped into vector graphics editors, raster graphics editors, and 3D modelers, are the primary tools with which a user may manipulate, enhance, and transform images.

PENS-211: Terra Epidermis

Ce projet transversal vise à expérimenter autour d'un cas d'étude choisi, les spécificités de « l'envers du sol ». Sur un site choisi, les étudiants seront invités à proposer un geste technique et arc

HUM-222: Artistic practices C

Ce cours propose aux étudiant-e-x-s un panorama du dessin contemporain par l'exploration et l'expérience, et plus précisément de penser le dessin comme économie. La pratique régulière est accompagnée

AR-113: Graphic figuration

Formation au dessin d'architecture à travers ses diverses procédures et codes graphiques, avec le crayon et le papier comme bases.

Free Form Deformation Techniques for 3D Shape Optimization Problems

Anwar Koshakji

The purpose of this work is to analyse and study an efficient parametrization technique for a 3D shape optimization problem. After a brief review of the techniques and approaches already available in literature, we choose to use the Free Form Deformation parametrization, a recent technique which proved to be efficient and at the same time versatile, allowing to manage complex shapes even with few parameters. We tested and studied the technique by developing a link among different specialized softwares, in order to establish a path, from the geometry definition, to the method implementation, and finally to the simulation and to the optimization of the problem. In particular, we have studied a bulb and a rudder of a race sailing boat as model problems.

2011

Algèbre linéaire : représentation matricielle

Explore les applications linéaires dans la représentation R2 et matricielle, y compris la base, les opérations et l'interprétation géométrique des transformations.

Algèbre linéaire: matrices et applications linéaires

Couvre les matrices, les applications linéaires, les espaces vectoriels et les fonctions bijectives.

Algèbre vectorielle: produit scalaire

Explore le produit scalaire des vecteurs, y compris les propriétés et les méthodes de calcul.