Design methods are procedures, techniques, aids, or tools for designing. They offer a number of different kinds of activities that a designer might use within an overall design process. Conventional procedures of design, such as drawing, can be regarded as design methods, but since the 1950s new procedures have been developed that are more usually grouped together under the name of "design methods". What design methods have in common is that they "are attempts to make public the hitherto private thinking of designers; to externalise the design process".
Design methodology is the broader study of method in design: the study of the principles, practices and procedures of designing.
Design methods originated in new approaches to problem solving developed in the mid-20th Century, and also in response to industrialisation and mass-production, which changed the nature of designing. A "Conference on Systematic and Intuitive Methods in Engineering, Industrial Design, Architecture and Communications", held in London in 1962 is regarded as a key event marking the beginning of what became known within design studies as the "design methods movement", leading to the founding of the Design Research Society and influencing design education and practice. Leading figures in this movement in the UK were J. Christopher Jones at the University of Manchester and L. Bruce Archer at the Royal College of Art.
The movement developed through further conferences on new design methods in the UK and USA in the 1960s. The first books on rational design methods, and on creative methods also appeared in this period.
New approaches to design were developing at the same time in Germany, notably at the Ulm School of Design (Hochschule für Gestaltung–HfG Ulm) (1953–1968) under the leadership of Tomás Maldonado. Design teaching at Ulm integrated design with science (including social sciences) and introduced new fields of study such as cybernetics, systems theory and semiotics into design education. Bruce Archer also taught at Ulm, and another influential teacher was Horst Rittel.
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vignette|Chaise de Charles Rennie Mackintosh, 1897. Le design, le stylisme ou la stylique est une activité de création souvent à vocation industrielle ou commerciale, pouvant s’orienter vers les milieux sociaux, politiques, scientifiques et environnementaux. Le but premier du design est d’inventer, d’améliorer ou de faciliter l’usage ou le processus d’un élément ayant à interagir avec un produit ou un service matériel ou virtuel.
Study and explore design principles of the different mechatronic components and systems. We will cover in-depth especially on meso-scale actuators, sensors and body construction methods.
"Reverse engineering", une activité consistant à étudier un objet pour en déterminer le fonctionnement interne ou la méthode de fabrication. Les étudiants seront capables d'analyser et d'évaluer des p
This course covers fundamentals of heat transfer and applications to practical problems. Emphasis will be on developing a physical and analytical understanding of conductive, convective, and radiative
Explore les bases du droit d'auteur, y compris les droits exclusifs, les œuvres dérivées, les restrictions et l'enregistrement et la protection des marques.
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Two design studios were successively taught in two schools of architecture: one at the Harvard Graduate School of Design (GSD) and the other at the Swiss Federal Institute of Technology in Lausanne (EPFL) in Lausanne, Switzerland, based on "A Global Morato ...
This book has been designed for instructors in higher education or adult training who wish to develop a new course or revise an existing one. It adopts a practical, visual, and modular approach based on the principle of constructive alignment. At its heart ...
EPFL Press2024
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The Open Databases Integration for Materials Design (OPTIMADE) application programming interface (API) empowers users with holistic access to a growing federation of databases, enhancing the accessibility and discoverability of materials and chemical data. ...