Paul Ricœur

Résumé

Paul Ricœur, né le à Valence (Drôme) et mort le à Châtenay-Malabry (Hauts-de-Seine), est un philosophe français. Il s'inscrit dans les courants de la phénoménologie et l'herméneutique, en dialogue constant avec les sciences humaines et sociales. Il s'intéresse aussi à l'existentialisme chrétien et à la théologie protestante. Son œuvre est axée autour des concepts de sens, de subjectivité et de fonction de la fiction, notamment dans la littérature et l'histoire. Biographie Famille et formation Né en 1913, Paul Ricœur est orphelin de mère et perd son père à la guerre en 1915. Il découvre la philosophie au lycée Émile-Zola de Rennes avec Roland Dalbiez. Il est de confession protestante. En 1935, il épouse Simone Lejas, une amie d'enfance, à Rennes avec qui il aura trois enfants qui naîtront avant la guerre et deux autres après la guerre. Longtemps partisan du pacifisme et d'une théologie de gauche radicale, il se résout tardivement à l'importance des institution

Source officielle

https://fr.wikipedia.org/wiki/Paul_Ric%C5%93ur

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Concepts associés (20)

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Self-Recognition in Data Visualization: how people see themselves in social visualizations

Loup Cellard, Dario Rodighiero

Self-recognition is an intimate act performed by people. Inspired by Paul Ricoeur, we reflect upon the action of self-recognition, especially when data visualization represents the observer itself. Along the article, the reader is invited to think about this specific relationship through concepts like the personal identity stored in information systems, the truthfulness at the core of self-recognition, and the mutual-recognition among community members. In the context of highly interdisciplinary research, we unveil two protagonists in data visualization: the designer and the observer - the designer as the creator and the observer as the viewer of a visualization. This article deals with some theoretical aspects behind data visualization, a discipline more complex than normally expected. We believe that data visualization deserves a conceptual framework, and this investigation pursues this intention. For this reason, we look at the designer as not just a technician in the visualization production, but as a contemporary ethnologist - the designer as a professional working in a social environment to comprehend the context and formulate a specific inquiry with the help of appropriate visual languages.

2016

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Self-Recognition in Data Visualization: How Individuals See Themselves in Visual Representations

Loup Cellard, Dario Rodighiero

This article explores how readers recognize their personal identities represented through data visualizations. The recognition is investigated starting from three definitions captured by the philosopher Paul Ricoeur: the identification with the visualization, the recognition of someone in the visualization, and the mutual recognition that happens between readers. Whereas these notions were initially applied to study the role of the book reader, two further concepts complete the shift to data visualization: the digital identity stays for the present-day passport of human actions and the promise is the intimate reflection that projects readers towards their own future. This article reflects on the delicate meaning of digital identity and the way of representing it according to this structure: From Personal Identity to Media is a historical introduction to self-recognition, Data Visualization for Representing Identities moves the focus to visual representation, and The Course of Recognition breaks the self-recognition in through the five concepts above just before the Conclusion.

2019

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