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The mismatch negativity (MMN) or mismatch field (MMF) is a component of the event-related potential (ERP) to an odd stimulus in a sequence of stimuli. It arises from electrical activity in the brain and is studied within the field of cognitive neuroscience and psychology. It can occur in any sensory system, but has most frequently been studied for hearing and for vision, in which case it is abbreviated to vMMN. The (v)MMN occurs after an infrequent change in a repetitive sequence of stimuli (sometimes the entire sequence is called an oddball sequence.) For example, a rare deviant (d) stimulus can be interspersed among a series of frequent standard (s) stimuli (e.g., s s s s s s s s s d s s s s s s d s s s d s s s s...). In hearing, a deviant sound can differ from the standards in one or more perceptual features such as pitch, duration, loudness, or location. The MMN can be elicited regardless of whether someone is paying attention to the sequence. During auditory sequences, a person can be reading or watching a silent subtitled movie, yet still show a clear MMN. In the case of visual stimuli, the MMN occurs after an infrequent change in a repetitive sequence of images. MMN refers to the mismatch response in electroencephalography (EEG); MMF or MMNM refer to the mismatch response in magnetoencephalography (MEG). The auditory MMN was discovered in 1978 by Risto Näätänen, A. W. K. Gaillard, and S. Mäntysalo at the Institute for Perception, TNO in The Netherlands. The first report of a visual MMN was in 1990 by Rainer Cammer. For a history of the development of the visual MMN, see Pazo-Alvarez et al. (2003). The MMN is a response to a deviant within a sequence of otherwise regular stimuli; thus, in an experimental setting, it is produced when stimuli are presented in a many-to-one ratio; for example, in a sequence of sounds s s s s s s s d s s s s d s s s..., the d is the deviant or oddball stimulus, and will elicit an MMN response. The mismatch negativity occurs even if the subject is not consciously paying attention to the stimuli.
Grégoire Courtine, Vincent Delattre, Marco Capogrosso, Fabien Bertrand Paul Wagner, Karen Minassian