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In Buddhism, a sotāpanna (Pali), srotaāpanna (Sanskrit; , , Burmese: သောတာပန်, Tibetan: རྒྱུན་ཞུགས་, Wylie: rgyun zhugs), "stream-enterer", "stream-winner", or "stream-entrant" is a person who has seen the Dharma and thereby has dropped the first three fetters (Pāli: samyojana, Sanskrit: saṃyojana) that bind a being to a possible rebirth in one of the three lower realms (animals, hungry ghosts, and beings suffering in and from hellish states), namely self-view (sakkāya-ditthi), clinging to rites and rituals (sīlabbata-parāmāsa), and skeptical indecision (Vicikitsa). The word sotāpanna literally means "one who entered (āpanna) the stream (sota), stream-enterer", after a metaphor which calls the noble eightfold path a stream which leads to a vast ocean, nibbāna. Entering the stream (sotāpatti) is the first of the four stages of enlightenment. The is termed the path of stream-entry (sotāpatti-magga), which cuts through the first three fetters. The person who experiences it is called a stream-winner (sotāpanna). The sotāpanna is said to attain an intuitive grasp of the dharma—this wisdom being called right view (sammā diṭṭhi)—and has unshakable confidence in the Buddha, Dharma, and Sangha. The Buddha, Dharma, and Sangha, sometimes taken to be the triple refuge, are at other times listed as being objects of recollection. In general though, confirmed confidence in the Buddha, Dharma, and Sangha, is considered to be one of the four limbs of stream-winning (sotāpannassa angāni). The sotapanna is said to have "opened the eye of the Dhamma" (dhammacakkhu), because they have realized that whatever arises will cease (impermanence). Their conviction in the true dharma would at this point be unshakable. The sotāpanna has had their first glimpse of the unconditioned element, the asankhata, in which they see the goal, in (magga-phala). Whereas the stream-entrant has seen nibbāna and therefore has verified confidence in it, the arahant can drink fully of its waters, to use a simile from the Kosambi Sutta (SN 12.

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Concepts associés (15)

Arhat

vignette|Le Bouddha Chakyamuni entouré de Maudgalyâyana et Saripoutta (deux disciples et arhat). Thangka tibétain, , Musée national de Varsovie. Dans le bouddhisme theravâda, arhat ou arhant (terme sanskrit ; en pâli: arahant), est le nom donné à celui qui a atteint le dernier échelon de la sagesse et de l'éveil. En sanskrit, le terme arhat est le participe présent du verbe arh-, « mériter ». C'est donc proprement un « méritant ». Il s'agit du premier titre donné à tous les bouddhas, et le mot est donc en quelque sorte de « libéré des passions et du samsâra ».

Pali Canon

The Pāli Canon is the standard collection of scriptures in the Theravada Buddhist tradition, as preserved in the Pāli language. It is the most complete extant early Buddhist canon. It derives mainly from the Tamrashatiya school. During the First Buddhist Council, three months after the parinibbana of Gautama Buddha in Rajgir, Ananda recited the Sutta Pitaka, and Upali recited the Vinaya Pitaka. The Arhats present accepted the recitations, and henceforth, the teachings were preserved orally by the Sangha.

Skandha

Skandha (sanskrit ; devanāgarī : स्कन्ध ; pali : khandha) peut être traduit par , « agrégat », Citation|facteur constitutif de l'egoThe Sanskrit Heritage Dictionary de Gérard Huet. Dans le bouddhisme, on désigne par là les cinq agrégats ou facteurs (pañcaskandhī) psychophysiques constitutifs de l'individu: la forme corporelle (rūpa), la sensation (vedanā), la perception (saṃjñā), la formation mentale (saṃskāra) et la prise de conscience active (vijñāna).