Fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect.
Fire performance includes skills based on juggling, baton twirling, poi spinning, and other forms of object manipulation. It also includes skills such as fire breathing, fire eating, and body burning; sometimes called fakir skills. Fire performance has various styles of performance including fire dancing; the use of fire as a finale in an otherwise non-fire performance; and the use of fire skills as 'dangerous' stunts. Performances can be done as choreographed routines to music (this type being related to dance or rhythmic gymnastics); as freestyle (performed to music or not) performances; or performed with vocal interaction with the audience. Some aspect of fire performance can be found in a wide variety of cultural traditions and rituals from around the world.
Any performance involving fire carries inherent danger and risks, and fire safety precautions should always be taken.
One of the earliest mentions of fire performance was at the ceremony of Simchat Beit HaShoeivah during the holidays of sukkot of the Second Temple by the Jews in Jerusalem Circa 10AD - 70AD.
It has been said about Rabbi Simeon ben Gamaliel
that when he was rejoicing with the joy of the Water-Drawing he would take eight burning torches in one hand and toss them upwards; he tossed one and caught one, and never did one touch the other.
Ancient Aztecs performed a fire dance dedicated to Xiuhtecuhtli, the god of fire. The Aztec fire dance is performed today for tourists in Mexico. In Bali, the Angel Dance and the Fire Dance, regularly performed for tourists, have origins in ancient rituals. Both the Angel Dance and the Fire Dance originated in a trance ritual called the sanghyang, a ritual dance "performed to ward off witches at the time of an epidemic.
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Le mot poï désigne un type de jonglerie et vient de poï-toa, une petite masse au bout d'une ficelle utilisée chez les Maoris de Nouvelle-Zélande. Les poïs sont utilisés aujourd’hui en jonglerie et arts du feu, et sont appelés aussi bolas en France. Les mouvements pratiqués sont aujourd'hui bien éloignés de ceux effectués par les Maoris traditionnellement. Néanmoins les chaînes longues et lourdes ne donnent pas les mêmes mouvements que les poïs ou bolas, la comparaison a donc ses limites.
Hooping (also called hula hooping or hoop dance) is the manipulation of and artistic movement or dancing with a hoop (or hoops). Hoops can be made of metal, wood, or plastic. Hooping combines technical moves and tricks with freestyle or technical dancing. Hooping can be practiced to or performed with music. In contrast to the classic toy hula hoop, modern hoopers use heavier and larger diameter hoops, and frequently rotate the hoop around parts of the body other than the waist, including the hips, chest, neck, shoulders, thighs, knees, arms, hands, thumbs, feet, and toes.
Object manipulation is a form of dexterity play or performance in which one or more people physically interact with one or more objects. Many object manipulation skills are recognised circus skills. Other object manipulation skills are linked to sport, magic, and everyday objects or practices. Many object manipulation skills use special props made for that purpose: examples include the varied circus props such as balls, clubs, hoops, rings, poi, staff, and devil sticks; magic props such as cards and coins; sports equipment such as nunchaku and footballs.