Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks. The glass objects created are intended to make a sculptural or decorative statement. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited edition. Their prices may range from a few hundred to hundreds of thousands of dollars (US). For the largest installations, the prices are in the millions. Modern glass studios use a great variety of techniques in creating glass artworks, including: Glassblowing, Flameworking, Glass casting, Coldworking, Glass fusing, Pâte de verre, Stained glass. Glass art and From the 19th century, various types of fancy glass started to become significant branches of the decorative arts. Cameo glass was revived for the first time since the Romans, initially mostly used for pieces in a neo-classical style. The Art Nouveau movement in particular made great use of glass, with René Lalique, Émile Gallé, and Daum of Nancy important names in the first French wave of the movement, producing colored vases and similar pieces, often in cameo glass, and also using lustre techniques. Louis Comfort Tiffany in America specialized in secular stained glass, mostly of plant subjects, both in panels and his famous lamps. From the 20th century, some glass artists began to class themselves as sculptors working in glass and as part of the fine arts. In the early 20th century, most glass production happened in factories.

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Related concepts (6)
Glass art
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware. As a decorative and functional medium, glass was extensively developed in Egypt and Assyria. Glassblowing was perhaps invented in the 1st century BC, and featured heavily in Roman glass, which was highly developed with forms such as the cage cup for a luxury market.
Art glass
Art glass is a subset of glass art, this latter covering the whole range of art made from glass. Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art, with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass keeps the weather out, and bowls may still be useful.
Glassblowing
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble (or parison) with the aid of a blowpipe (or blow tube). A person who blows glass is called a glassblower, glassmith, or gaffer. A lampworker (often also called a glassblower or glassworker) manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass.
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