Intégration des critères de durabilité dans le processus de conception des constructions temporaires à vocation événementielle

Sustainability is a constant search for balance between the needs and the means implemented, which implies meeting the needs present without compromising those of generations to come. Later generations will indeed imperative to consider. So that their scope for action not be mortgaged by human activities of previous generations, it is necessary to provide some leeway, especially from the perspective of the built environment transmitted by inheritance. Alongside these general theoretical considerations, it is now observed a glaring mismatch between the rapidly changing socio-cultural practices and the very slow renewal of the built environment . Whether in the way to live or work , or occupy constructed in the need for research space flexibility , the frame is characterized by the notion of "impermanence" increasingly important, in contrast with the perennial character commonly accepted and implemented in current practices . Most buildings are built to last, but are part of a society where everything is changing rapidly and so are facing frequent shifting situations between form and function of spaces. In this context, the temporary architecture can therefore be a good potential to seek to meet the challenges of multiple time frames and offer a potential mutation. This architectural approach is thus fully in sustainability concerns mentioned above, since it aims to offer a potential for adaptation rather than fixed solutions. Aware of the extent of the issue and complexity of reflections on the question of the impermanence of the frame, especially in view of the nature of architectural practices, this work focuses specifically on a little explored area that day at the research for which the notion of temporality is short intrinsic data: the field of temporary constructions events vocation. Through an exploratory approach, research methodology convene an archetype of the temporary architectural design to examine it as an object of study that can ideally translate the challenges of a design associated with an approach based on time restricted use. The research first observed in detail these practices sometimes considered at the margin of the architectural discipline. The structured analysis of four representative case helps highlight their limitations in terms of sustainability. part of the research, evaluative approach includes the development of an assessment methodology, specifically adapted to this type of construction. The approach then proposes the development of an alternative solution, which optimizes its multiple performances in a perspective of sustainability and overall quality. Through an approach of "research by the project" an integrated design process (IDP), both interdisciplinary and participatory, is experienced first sketches to detailed development of a prototype. Finally, from the product of this reflection, research in general rises and explores many possibilities of using this new system. This approach allows to demonstrate the potential contribution of multiple functional areas, illustrating what could be the conceptual foundations of an "architecture of the event." The result is a research methodology both "multi-scale" and "multidisciplinary", which demonstrates the great potential for optimizing this type of construction and the need to achieve to grasp the design simultaneously at multiple scales and integrating all stakeholders.

Densité et logement collectif

Nicolas Bassand

As a measurement, built density (coefficient of land surface to be built and total floor space) has been the object of numerous researches on urban morphology and architectural forms during the twentieth century. However, for the last ten years, its sensory and qualitative dimension seems to be particularly valued: the perceived density. In multi-unit housing, dense, innovating and compact forms show a significant change of architectural and urban conception. In fact, project practices seem to have been marked by three major changes. Firstly, the importance of the precept of sustainable development, attempting at reducing urban sprawl. Secondly, the increased interest in urban values and the idea of "building a city within a city". Lastly, the current asserted need to redefine density: on one hand, new means are being researched to control it, on the other hand there is a widening of its definition due to the main impulse of architects and researchers. Within this framework, it is illuminating to reconsider the multiple disciplines using this term, as well as the distinct spatial scales tackled in this notion and changes in its use through time. However, focusing only on built density, the present research concentrates on the architectural and urban framework, also known as physical density. It is measured by a density figure but is also qualified by the perception of density. We propose as preliminary approach, an examination of this perceived density in fields where it is more frequently used, such as literature, painting and music. Another important notion of this research requires definition: architectural and urban innovation. Standing out from pure invention, this type of innovation consists essentially in a reinterpretation of previous architectural and urban productions worth naming "retro-innovation". Despite a housing program dependent on past models reluctant to rapid and important changes, radical innovations do occur, though more seldomly. Several ''moments'' of the collective housing architectural history allow for an updating of the different stakes manifested in the density – innovation relationship. Density perception plays a large role in a particular problem emerging from these two notions in contemporary Switzerland. The issue is how encouraging people coming back to the urban centers by proposing larger apartments with more square meters and urban architecture composed of numerous and various spaces, but protecting them at the same time from too close a proximity between neighboring housing and from environmental nuisances. The state of the art brings to light the enormous influence of the researcher and anthropologist Amos Rapoport on perceived density starting with his article, "Towards a Redefinition of Density", published in 1975. For more than thirty years now, architects, psychologists, city planners and geographers refer to this work when defining this notion in their respective fields. As a consequence, it nourishes several reflections in this research. Following these various observations, we propose the analysis of fourteen contemporary multi-unit buildings. They represent the current urban stakes at play and show the architectural and urban conception facing the double requirement of density: to insure a high enough floor area ratio (measured density) and to qualify the housing density (perceived density). In parallel, this research determines if this conception, unique to dense multi-unit housing, tends to modify architectural practice. In the first phase, we examine seven rectangular housing units, in which the width of the building is significant, and seven courtyard buildings in order to examine the exterior spaces contained by the building's volumes. In the second phase, we focus our attention on the wall expression of the fourteen buildings. In this way, these distinct analyses offer three new definitions of the perceived density expressing conception aspects particularly significant for understanding the architecture and urbanity of these dense multi-unit buildings. As a fundamental knowledge, it is shown that density, within the corpus, orientates the architects project's mode. The frequent reinterpretation of paradigmatic dense lodgings is one of the most striking proof of this conceptual change searching for innovations in the register of collective housing. So, in the density of depth, introversion and anonymity on the exterior seems to encourage distinct individualized space within the building as common domestic spheres only opened towards the inside of the apartment. In several cases, the usual urban and public spaces are integrated into the private interior of the apartments as if to domesticate a certain urbanity. In the density of the void, the proposed introversion of semi-public courtyards seems to help maintaining a larger sense of community in these multi-unit buildings. Altogether, it demonstrates a particular capacity to produce small cities within the city, at the same time independent and linked to the city. Finally, through the analysis of wall density, the exterior materiality and expression, dynamic or static, monumental at times, present a decidedly urban architecture enhancing a compact city in quest of new inhabitants.

EPFL2009

On the Symbiosis of People and Building

Sytse de Maat

Controversies continue to exist between architects and the public about what is a good building. High-style modern architecture is often disliked by the public. Moreover, in everyday life people blame the architect for everything they find impractical in a building. The non-operable window is emblematic of this controversy. The kernel of the problem lies in the lack of knowledge about how people relate to their buildings. This thesis investigates the relationship between people and their buildings, a topic that lies on the interface of architecture, psychology, and anthropology. In architecture, many have attempted to create buildings that feel alive, although much of what is built today feels alien to those who inhabit it. Environmental psychology has its focus on perception and meaning, whereas in anthropology, the habitat is often observed in a cultural perspective. This thesis aims at building theory that connects the insights of these disciplines. The importance of the topic lies in the increasing alienation of people from their buildings. Although many architects work on buildings that we can better relate to, alienation and disconnection continue to exist because, to mention one aspect, the built environment is made by more people than only architects. In the multidisciplinary world, improvement of the relationship of people and building would surely benefit from the introduction of a clear focal point and an adequate conceptual framework. From literature, insights were collected that explain the relationship in four perspectives: human aspects, properties of buildings, its relation to society, and abstract systems. Together they form a model that can serve as the focal point. Next, in order to identify what is changing in the relationship, the model was used as research tool in different contexts, ranging from vernacular to modern. Fieldwork research was conducted in traditional habitats, state-of-the-art modern buildings, and settings in between: primitive housing in urban slum or informal settlement. Detailed research methods for the survey of people's interaction with buildings were newly developed in the field and combined with existing sampling and coding techniques. Architects tools like sketches, scale models, and photography were used next to interviews and participatory observation. Results are presented in several reports ranging from slum dwellings to hi-tech. Besides architecture, they describe the practice of everyday life, logic and inconsistencies in building methods, and effects on the people-building relationship. From the findings, we concluded that what happened to the people-building relationship in the transition from vernacular to modern could be described in five trends. These trends explain the current disconnection as well as the difficulties we face in creating live buildings. Thus, together with the focal point, a conceptual framework is created holding the patterns typical of the people-building relationship. This knowledge can be used as both tool and theory by the profession. The research suggests that in order to create a strong people-building relationship, the whole process of building, dwelling, and daily operation must be focused on inclusion of the end-user. Today's technology and regulations favor exclusion and therefore contribute to a built environment that is not humanly sustainable.

EPFL2015

Designing Energy-Efficient Façades to Meet Energy Transition Targets

Angela Clua Longas

The contemporary energy context can be considered as a period of energy transition, where the latest protocols focus on limiting greenhouse gas (GHG) emissions and improving energy efficiency across the different energy consumption sectors. As the largest single energy consumer in Europe, the building sector faces the particular challenge of meeting the latest energy efficiency requirements in the prospect of a growing population, whose growing demand results in increased construction activity and energy consumption. In line with the objectives of the energy transition, the European Union (EU) is committed to drastically reduce its GHG emissions by 2050. This objective is applied to the construction sector through new building energy efficiency requirements specified in the latest building directives. The latter highlight the potential of the building envelope to yield energy efficiency by passively reducing energy demand and through the incorporation of active energy generation systems, including solar systems. Among the latter, Building-integrated photovoltaic (BIPV) systems have a demonstrated potential to increase energy efficiency, especially when they are an integral part of the buildingâs design and construction. However, despite their energy-efficiency improvement potential, BIPV systems are not widely used among architectural practices. This results simultaneously from the particular attention required by BIPV in terms of design and construction, the still low number of examples of successful architectural integration, the generalised lack of awareness among professionals and the perception of the high cost of this technology. These barriers, among others, reveal a tangible gap between the potential of energy-efficient technologies and their application to current architectural practices, specifically with regards to faÃ§ade design due to its public character as an urban landscape generator. To contribute bridging this gap in the context of energy transition, this thesis proposes a research-by-design methodology structured in different interdisciplinary research phases. These phases aim to design and assess an energy-efficient faÃ§ade solution with the potential of contributing to the building sector's energy transition. The research adopts an architectural approach to explore the collective residential faÃ§ade design potential and improve its construction energy efficiency. The research process entails an analysis of the contemporary residential faÃ§ade design currents and the advanced practices on energy-efficient construction. The research methodology is structured in three iterative phases: the design of an energy-efficient faÃ§ade, its quantitative assessment and the evaluation of its transfer potential towards professional practices. The concrete contribution of this research is to provide architecture professionals with energy-efficient architectural visions that can guide them to explore such energy-efficient strategies, integrate these issues in their own design processes and thus contribute to the energy transition at that scale. Similarly, the design methodology and the assessment processes can support construction stakeholdersâ decisions concerning the integration of energy-efficient design strategies into building development, improving contemporary faÃ§ade construction practices.

EPFL2019