Concept
Théorème des facteurs invariants
Personnes associées (21)
Rolf Gruetter
Awards:
1999 Young Investigator Award Plenary Lectureship
, International Society for Neurochemistry
2011 Fellow
, ESMRMB
2011 Teaching Award
, Section Sciences de la Vie, EPFL
Damir Filipovic
Damir Filipovic holds the Swissquote Chair in Quantitative Finance and is Swiss Finance Institute Professor at the Ecole Polytechnique Fédérale de Lausanne (EPFL), Switzerland. Prior to this, he was head of the Vienna Institute of Finance and professor at the University of Vienna. He previously held the chair of financial and insurance mathematics at the University of Munich, and he was on the faculty of Princeton University. He received his Ph.D. in mathematics from ETH Zurich in 2000. Damir Filipovic worked as a scientific consultant for the Swiss Federal Office of Private Insurance from 2003 to 2004. There he co-developed the Swiss Solvency Test, which defines the regulatory capital requirement for all Swiss based insurance companies and groups. He is on the editorial board of several academic journals. His research interests include the term structure of interest rates, credit and volatility risk, quantitative methods in risk management, and stochastic processes. His papers have been published in a variety of academic journals including the Journal of Financial Economics, Mathematical Finance, Finance and Stochastics, and the Annals of Applied Probability. He is the author of a textbook titled Term-Structure Models.
Johannes Hentschel
Avant de commencer son doctorat à l'École Polytechnique Fédérale de Lausanne (EPFL), Johannes Hentschel a étudié pédagogie de musique, théorie de musique et français à Fribourg-en-Brisgau, Lübeck et Helsinki. Accordéoniste, chanteur et chef de chorale diplômé, il est avant tout maître de conférences en théorie de musique. Depuis 2018, il poursuit des études doctorales d'Humanités Digitales à l'EPFL. Sous la direction du professeur Martin Rohrmeier au sein du Digital and Cognitive Musicology Lab (DCML) Johannes prépare sa thèse sur les changements diachroniques de styles musicaux, approfondissant ses connaissances dans la construction de corpus et l'organisation de métadonnées.